As We See It

The Acoustical Standard (with follow-up) A Tale of Two Systems part two

From time to time in this column, I have alluded to what appears to be a loss of direction in high-end audio. It's not that the state of the audio art has stopped advancing; the technology is improving in many ways, as is obvious every time we listen to a new preamplifier or cartridge or loudspeaker that has better this, that, or the other thing than anything which has come before. The problem is that these improvements don't really seem to be getting us anywhere. And I believe the reason for this is that the audio community no longer agrees about where audio is supposed to be going in the first place.
Tue, 10/25/1988

COMMENTS
Herb Reichert's picture
Submitted by Herb Reichert on November 25, 2018 - 6:51pm

with JGH

hr

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:03am

I like this ....... "to use the sound of amplifiers and loudspeakers for the evaluation of the amplifiers and loudspeakers is ridiculous" :-) ...........

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:29am

May be binaural recordings of audio of the orchestra where the audience usually sits, is better than conventional microphone recordings with microphones placed on the stage or close to the stage, is better for evaluation of 'the absolute sound'? :-) ..............

The binaural recordings are also very useful for evaluation of headphone/IEM based audio systems :-) ......

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 12:53pm

Yes JA, I totally agree with you .......... A reviewer should ideally evaluate any audio equipment using all types of music, classical, rock, pop-rock, electronic, instrumental, jazz etc.etc ........... Yes ..... like Louis Armstrong & Duke Ellington song "It Don't Mean a Thing (If It Ain't Got That Swing)" :-) ............

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 27, 2018 - 8:28am

The audio reviewer can always say, this particular speaker (for example) sounds good with classical music, however it may not be suitable for rock music ......... The reviewer can say the bass drums in the rock music sound somewhat bloated and loose and less impactful :-) ..............

Pages

As We See It

The Acoustical Standard (with follow-up) A Tale of Two Systems

From time to time in this column, I have alluded to what appears to be a loss of direction in high-end audio. It's not that the state of the audio art has stopped advancing; the technology is improving in many ways, as is obvious every time we listen to a new preamplifier or cartridge or loudspeaker that has better this, that, or the other thing than anything which has come before. The problem is that these improvements don't really seem to be getting us anywhere. And I believe the reason for this is that the audio community no longer agrees about where audio is supposed to be going in the first place.
Tue, 10/25/1988

COMMENTS
Herb Reichert's picture
Submitted by Herb Reichert on November 25, 2018 - 6:51pm

with JGH

hr

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:03am

I like this ....... "to use the sound of amplifiers and loudspeakers for the evaluation of the amplifiers and loudspeakers is ridiculous" :-) ...........

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:29am

May be binaural recordings of audio of the orchestra where the audience usually sits, is better than conventional microphone recordings with microphones placed on the stage or close to the stage, is better for evaluation of 'the absolute sound'? :-) ..............

The binaural recordings are also very useful for evaluation of headphone/IEM based audio systems :-) ......

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 12:53pm

Yes JA, I totally agree with you .......... A reviewer should ideally evaluate any audio equipment using all types of music, classical, rock, pop-rock, electronic, instrumental, jazz etc.etc ........... Yes ..... like Louis Armstrong & Duke Ellington song "It Don't Mean a Thing (If It Ain't Got That Swing)" :-) ............

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 27, 2018 - 8:28am

The audio reviewer can always say, this particular speaker (for example) sounds good with classical music, however it may not be suitable for rock music ......... The reviewer can say the bass drums in the rock music sound somewhat bloated and loose and less impactful :-) ..............

Pages

As We See It

The Acoustical Standard (with follow-up) Letters

From time to time in this column, I have alluded to what appears to be a loss of direction in high-end audio. It's not that the state of the audio art has stopped advancing; the technology is improving in many ways, as is obvious every time we listen to a new preamplifier or cartridge or loudspeaker that has better this, that, or the other thing than anything which has come before. The problem is that these improvements don't really seem to be getting us anywhere. And I believe the reason for this is that the audio community no longer agrees about where audio is supposed to be going in the first place.
Tue, 10/25/1988

COMMENTS
Herb Reichert's picture
Submitted by Herb Reichert on November 25, 2018 - 6:51pm

with JGH

hr

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:03am

I like this ....... "to use the sound of amplifiers and loudspeakers for the evaluation of the amplifiers and loudspeakers is ridiculous" :-) ...........

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:29am

May be binaural recordings of audio of the orchestra where the audience usually sits, is better than conventional microphone recordings with microphones placed on the stage or close to the stage, is better for evaluation of 'the absolute sound'? :-) ..............

The binaural recordings are also very useful for evaluation of headphone/IEM based audio systems :-) ......

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 12:53pm

Yes JA, I totally agree with you .......... A reviewer should ideally evaluate any audio equipment using all types of music, classical, rock, pop-rock, electronic, instrumental, jazz etc.etc ........... Yes ..... like Louis Armstrong & Duke Ellington song "It Don't Mean a Thing (If It Ain't Got That Swing)" :-) ............

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 27, 2018 - 8:28am

The audio reviewer can always say, this particular speaker (for example) sounds good with classical music, however it may not be suitable for rock music ......... The reviewer can say the bass drums in the rock music sound somewhat bloated and loose and less impactful :-) ..............

Pages

As We See It

The Acoustical Standard (with follow-up) Letters

From time to time in this column, I have alluded to what appears to be a loss of direction in high-end audio. It's not that the state of the audio art has stopped advancing; the technology is improving in many ways, as is obvious every time we listen to a new preamplifier or cartridge or loudspeaker that has better this, that, or the other thing than anything which has come before. The problem is that these improvements don't really seem to be getting us anywhere. And I believe the reason for this is that the audio community no longer agrees about where audio is supposed to be going in the first place.
Tue, 10/25/1988

COMMENTS
Herb Reichert's picture
Submitted by Herb Reichert on November 25, 2018 - 6:51pm

with JGH

hr

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:03am

I like this ....... "to use the sound of amplifiers and loudspeakers for the evaluation of the amplifiers and loudspeakers is ridiculous" :-) ...........

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:29am

May be binaural recordings of audio of the orchestra where the audience usually sits, is better than conventional microphone recordings with microphones placed on the stage or close to the stage, is better for evaluation of 'the absolute sound'? :-) ..............

The binaural recordings are also very useful for evaluation of headphone/IEM based audio systems :-) ......

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 12:53pm

Yes JA, I totally agree with you .......... A reviewer should ideally evaluate any audio equipment using all types of music, classical, rock, pop-rock, electronic, instrumental, jazz etc.etc ........... Yes ..... like Louis Armstrong & Duke Ellington song "It Don't Mean a Thing (If It Ain't Got That Swing)" :-) ............

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 27, 2018 - 8:28am

The audio reviewer can always say, this particular speaker (for example) sounds good with classical music, however it may not be suitable for rock music ......... The reviewer can say the bass drums in the rock music sound somewhat bloated and loose and less impactful :-) ..............

Pages

As We See It

The Acoustical Standard (with follow-up) Letters

From time to time in this column, I have alluded to what appears to be a loss of direction in high-end audio. It's not that the state of the audio art has stopped advancing; the technology is improving in many ways, as is obvious every time we listen to a new preamplifier or cartridge or loudspeaker that has better this, that, or the other thing than anything which has come before. The problem is that these improvements don't really seem to be getting us anywhere. And I believe the reason for this is that the audio community no longer agrees about where audio is supposed to be going in the first place.
Tue, 10/25/1988

COMMENTS
Herb Reichert's picture
Submitted by Herb Reichert on November 25, 2018 - 6:51pm

with JGH

hr

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:03am

I like this ....... "to use the sound of amplifiers and loudspeakers for the evaluation of the amplifiers and loudspeakers is ridiculous" :-) ...........

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:29am

May be binaural recordings of audio of the orchestra where the audience usually sits, is better than conventional microphone recordings with microphones placed on the stage or close to the stage, is better for evaluation of 'the absolute sound'? :-) ..............

The binaural recordings are also very useful for evaluation of headphone/IEM based audio systems :-) ......

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 12:53pm

Yes JA, I totally agree with you .......... A reviewer should ideally evaluate any audio equipment using all types of music, classical, rock, pop-rock, electronic, instrumental, jazz etc.etc ........... Yes ..... like Louis Armstrong & Duke Ellington song "It Don't Mean a Thing (If It Ain't Got That Swing)" :-) ............

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 27, 2018 - 8:28am

The audio reviewer can always say, this particular speaker (for example) sounds good with classical music, however it may not be suitable for rock music ......... The reviewer can say the bass drums in the rock music sound somewhat bloated and loose and less impactful :-) ..............

Pages

As We See It

The Acoustical Standard (with follow-up) The Acoustical Standard part two

From time to time in this column, I have alluded to what appears to be a loss of direction in high-end audio. It's not that the state of the audio art has stopped advancing; the technology is improving in many ways, as is obvious every time we listen to a new preamplifier or cartridge or loudspeaker that has better this, that, or the other thing than anything which has come before. The problem is that these improvements don't really seem to be getting us anywhere. And I believe the reason for this is that the audio community no longer agrees about where audio is supposed to be going in the first place.
Tue, 10/25/1988

COMMENTS
Herb Reichert's picture
Submitted by Herb Reichert on November 25, 2018 - 6:51pm

with JGH

hr

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:03am

I like this ....... "to use the sound of amplifiers and loudspeakers for the evaluation of the amplifiers and loudspeakers is ridiculous" :-) ...........

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 8:29am

May be binaural recordings of audio of the orchestra where the audience usually sits, is better than conventional microphone recordings with microphones placed on the stage or close to the stage, is better for evaluation of 'the absolute sound'? :-) ..............

The binaural recordings are also very useful for evaluation of headphone/IEM based audio systems :-) ......

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 26, 2018 - 12:53pm

Yes JA, I totally agree with you .......... A reviewer should ideally evaluate any audio equipment using all types of music, classical, rock, pop-rock, electronic, instrumental, jazz etc.etc ........... Yes ..... like Louis Armstrong & Duke Ellington song "It Don't Mean a Thing (If It Ain't Got That Swing)" :-) ............

Bogolu Haranath's picture
Submitted by Bogolu Haranath on November 27, 2018 - 8:28am

The audio reviewer can always say, this particular speaker (for example) sounds good with classical music, however it may not be suitable for rock music ......... The reviewer can say the bass drums in the rock music sound somewhat bloated and loose and less impactful :-) ..............

Pages

As We See It

The Acoustical Standard (with follow-up)

John Atkinson, J. Gordon Holt  |  Oct 25, 1988

From time to time in this column, I have alluded to what appears to be a loss of direction in high-end audio. It's not that the state of the audio art has stopped advancing; the technology is improving in many ways, as is obvious every time we listen to a new preamplifier or cartridge or loudspeaker that has better this, that, or the other thing than anything which has come before. The problem is that these improvements don't really seem to be getting us anywhere. And I believe the reason for this is that the audio community no longer agrees about where audio is supposed to be going in the first place.
Tue, 10/25/1988

Think Pieces

Expensive Electronics/Inexpensive Speakers?

Larry Archibald  |  May 25, 1988

I'd like to expand on the "expensive electronics/inexpensive speakers" discussion begun by John Atkinson in his Levinson No.26 & No.20 reviews. "Perhaps because it acts as a bottleneck on the signal," he wrote, "the quality of an amplifier or preamplifier is far more important than that of a loudspeaker when it comes to preserving or destroying the musical values of the signal. This would appear to be heresy in the US where, to judge by the letters I receive, large, complicated, expensive loudspeaker systems are often driven by relatively inexpensive, modestly performing electronics, the rationale behind this being that, to quote one correspondent, 'It is the loudspeakers that produce the sound, therefore they are where the majority of the budget should be allocated.'"
Wed, 05/25/1988

Features

A Matter Of Diffusion Sidebars

Like many Stereophile readers, I have often sped home from a concert to fire up the audio system and then, to the sore vexation of my wife and guests, spent the rest of the evening plunged in the morbid contemplation of what, exactly, was missing.
Wed, 04/27/1988

Features

A Matter Of Diffusion Page 7

Like many Stereophile readers, I have often sped home from a concert to fire up the audio system and then, to the sore vexation of my wife and guests, spent the rest of the evening plunged in the morbid contemplation of what, exactly, was missing.
Wed, 04/27/1988

Pages

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