Why Hi-Fi Experts Disagree Page 2

Why Hi-Fi Experts Disagree Page 2

<I>Dateline: late August 1989. The scene: my palatial office in the </I>Stereophile<I> Tower. Present were the magazine's official technowizard Robert Harley, Circulation Kahuna Michael Harvey, and myself. The subject under discussion was the program for the </I>Stereophile<I> Test CD, launched in this issue, and Bob had been dazzling Michael and myself with a description of the sophisticated signal-processing power offered by the Digidesign Sound Tools music editing system with which he had outfitted his Macintosh IIX computer. (He had to fit it with a 600-megabyte hard-disk drive!) "It'll even do edits as crossfades as well as butt joins," enthused Bob. "Let me tell you about the crossfade I once did when editing a drum solo for a CD master that lasted </I>ten<I> seconds..."

Why Hi-Fi Experts Disagree

Why Hi-Fi Experts Disagree

Feb 04, 1997 First Published:Feb 01, 1963
Dateline: late August 1989. The scene: my palatial office in the Stereophile Tower. Present were the magazine's official technowizard Robert Harley, Circulation Kahuna Michael Harvey, and myself. The subject under discussion was the program for the Stereophile Test CD, launched in this issue, and Bob had been dazzling Michael and myself with a description of the sophisticated signal-processing power offered by the Digidesign Sound Tools music editing system with which he had outfitted his Macintosh IIX computer. (He had to fit it with a 600-megabyte hard-disk drive!) "It'll even do edits as crossfades as well as butt joins," enthused Bob. "Let me tell you about the crossfade I once did when editing a drum solo for a CD master that lasted ten seconds..."
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