Jeff Rowland Design Group Synergy line preamplifier Associated Equipment (2002)

Jeff Rowland Design Group Synergy line preamplifier Associated Equipment (2002)

One of the differences between mass-market and high-end audio is in product model longevity. By this I don't mean that high-end products necessarily last longer—although I think they generally do—but that models remain in a manufacturer's product line longer, perhaps being refined in an evolutionary manner. This helps products retain their value, and, when new models are introduced, these involve more than a cosmetic upgrade and some additional bells'n'whistles.

Jeff Rowland Design Group
2911 N. Prospect Street
Colorado Springs, CO 80907
(719) 473-1181
www.jeffrowland.com

Jeff Rowland Design Group Synergy line preamplifier Paul Bolin part 3

Jeff Rowland Design Group Synergy line preamplifier Paul Bolin part 3

One of the differences between mass-market and high-end audio is in product model longevity. By this I don't mean that high-end products necessarily last longer—although I think they generally do—but that models remain in a manufacturer's product line longer, perhaps being refined in an evolutionary manner. This helps products retain their value, and, when new models are introduced, these involve more than a cosmetic upgrade and some additional bells'n'whistles.

Jeff Rowland Design Group
2911 N. Prospect Street
Colorado Springs, CO 80907
(719) 473-1181
www.jeffrowland.com

Jeff Rowland Design Group Synergy line preamplifier Paul Bolin part 2

Jeff Rowland Design Group Synergy line preamplifier Paul Bolin part 2

One of the differences between mass-market and high-end audio is in product model longevity. By this I don't mean that high-end products necessarily last longer—although I think they generally do—but that models remain in a manufacturer's product line longer, perhaps being refined in an evolutionary manner. This helps products retain their value, and, when new models are introduced, these involve more than a cosmetic upgrade and some additional bells'n'whistles.

Jeff Rowland Design Group
2911 N. Prospect Street
Colorado Springs, CO 80907
(719) 473-1181
www.jeffrowland.com

Jeff Rowland Design Group Synergy line preamplifier Paul Bolin August 2002

Jeff Rowland Design Group Synergy line preamplifier Paul Bolin August 2002

One of the differences between mass-market and high-end audio is in product model longevity. By this I don't mean that high-end products necessarily last longer—although I think they generally do—but that models remain in a manufacturer's product line longer, perhaps being refined in an evolutionary manner. This helps products retain their value, and, when new models are introduced, these involve more than a cosmetic upgrade and some additional bells'n'whistles.

Jeff Rowland Design Group
2911 N. Prospect Street
Colorado Springs, CO 80907
(719) 473-1181
www.jeffrowland.com

Jeff Rowland Design Group Synergy line preamplifier 1997 Measurements

Jeff Rowland Design Group Synergy line preamplifier 1997 Measurements

One of the differences between mass-market and high-end audio is in product model longevity. By this I don't mean that high-end products necessarily last longer—although I think they generally do—but that models remain in a manufacturer's product line longer, perhaps being refined in an evolutionary manner. This helps products retain their value, and, when new models are introduced, these involve more than a cosmetic upgrade and some additional bells'n'whistles.

Jeff Rowland Design Group
2911 N. Prospect Street
Colorado Springs, CO 80907
(719) 473-1181
www.jeffrowland.com

Jeff Rowland Design Group Synergy line preamplifier Page 3

Jeff Rowland Design Group Synergy line preamplifier Page 3

One of the differences between mass-market and high-end audio is in product model longevity. By this I don't mean that high-end products necessarily last longer—although I think they generally do—but that models remain in a manufacturer's product line longer, perhaps being refined in an evolutionary manner. This helps products retain their value, and, when new models are introduced, these involve more than a cosmetic upgrade and some additional bells'n'whistles.

Jeff Rowland Design Group
2911 N. Prospect Street
Colorado Springs, CO 80907
(719) 473-1181
www.jeffrowland.com

Jeff Rowland Design Group Synergy line preamplifier Page 2

Jeff Rowland Design Group Synergy line preamplifier Page 2

One of the differences between mass-market and high-end audio is in product model longevity. By this I don't mean that high-end products necessarily last longer—although I think they generally do—but that models remain in a manufacturer's product line longer, perhaps being refined in an evolutionary manner. This helps products retain their value, and, when new models are introduced, these involve more than a cosmetic upgrade and some additional bells'n'whistles.

Jeff Rowland Design Group
2911 N. Prospect Street
Colorado Springs, CO 80907
(719) 473-1181
www.jeffrowland.com

Jeff Rowland Design Group Synergy line preamplifier

Jeff Rowland Design Group Synergy line preamplifier

One of the differences between mass-market and high-end audio is in product model longevity. By this I don't mean that high-end products necessarily last longer—although I think they generally do—but that models remain in a manufacturer's product line longer, perhaps being refined in an evolutionary manner. This helps products retain their value, and, when new models are introduced, these involve more than a cosmetic upgrade and some additional bells'n'whistles.

As Reviewers See It Letters

As Reviewers See It Letters

Every summer, I invite a representative sample of Stereophile's equipment reviewers to the magazine's Santa Fe HQ. For the third successive year, I decided to tape some of the free-for-all discussion that takes place and offer readers the opportunity of peeking over the participants' shoulders by publishing a tidied-up version of the transcript (footnote 1).

As Reviewers See It Page 10

As Reviewers See It Page 10

<I>Every summer, I invite a representative sample of </I>Stereophile<I>'s equipment reviewers to the magazine's Santa Fe HQ. For the third successive year, I decided to tape some of the free-for-all discussion that takes place and offer readers the opportunity of peeking over the participants' shoulders by publishing a tidied-up version of the transcript (footnote 1).

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