Kinergetics Research was a name to be reckoned with in the early days of CD, when they produced some of the earliest well-received, audiophile-grade CD players. They've branched out since then, producing amplifiers, preamps, subwoofers, and surround-sound processors. In fact, they're so busy with such products that they no longer build CD players! The last <I>Stereophile</I> review of a Kinergetics CD player appeared way back in 1993.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

<B>ARTURO DELMONI & NATHANIEL ROSEN: <I>Music for a Glass Bead Game</I></B><BR> <B>J.S. Bach</B>: Two-Part Inventions 1, 3, 6, 7, 9, 10, 13. <B>Kod&#225;ly</B>: Duo for Violin & Cello. <B>Giordani</B>: Duetto II. <B>Martinu</B>: Duo for Violin & Cello. <B>Handel</B>: <I>Passacaglia</I><BR> Arturo Delmoni, violin; Nathaniel Rosen, cello<BR> John Marks Records JMR 15 (CD). John Marks, prod.; Jerry Bruck, eng. DDD. TT: 62:34

The Crystal Semiconductor Products Division of Cirrus Logic Inc. announced last week the availability of the industry's first digital audio transmitters and receivers designed to support the emerging 96kHz digital audio sampling rate. The new mixed-signal receivers and transmitters are targeted at both the professional audio and consumer DVD audio markets.