<I>Stereophile</I> is, in one sense, like a family&mdash;us younguns have to make do sometimes because the house is straining at the seams. When I first arrived in Santa Fe, for instance, I was told not to come to the office for a few days&mdash;the good news, John Atkinson informed me, was that I had a desk; the bad news was that nobody had a clue where to put it. The dilemma was solved in Solomon-like fashion by shoehorning my desk into the "listening room," which was already serving double-duty as audition space and speaker-measurement lab. If manufacturers visited, we'd sweep up all the acoustic damping from the floor and stash it in JA's office; and if JA needed to take measurements, I would be asked to work at home. It was a manifestly fair solution: inconvenient for everyone involved.

The Lenbrook Group of Pickering, Ontario, Canada announced March 25 that it will acquire <A HREF="http://www.sonicfrontiers.com/">Sonic Frontiers</A> of Oakville, Ontario, Canada. This acquisition, effective May 1, 1998, is an extension of Lenbrook's commitment to enhance its position in the international specialty A/V segment of the consumer electronics industry. A new company, Sonic Frontiers International (SFI), will be formed to leverage Lenbrook's strengths with Sonic Frontiers' market position in the high-end segment of the audio business.

<B>THE MAVERICKS: <I>Trampoline</I></B><BR> MCA MCAD-70018A (HDCD). 1998. Raul Malo, Don Cook, prods. AAD? TT: 57:50<BR> Performance <B>*****</B><BR> Sonics <B>*****</B>

You may have noticed recent news items about proposals to deregulate the electrical power industry. You may have received solicitations to sign on with some start-up utility you never heard of, promising 10% to 40% reductions in your electrical bill. The model for this deregulation---if it comes to pass---is the long-distance telephone industry.

In a move sure to startle a few record retailers, English recording artists Massive Attack will make their much-anticipated new album, <i>Mezzanine</i>, available in its entirety on the Internet weeks before the May 12 in-store release date. The album will appear in stages over the course of two weeks via a <A HREF="http://www.virginrecords.com/massive_attack">special page</A> on <A HREF="http://www.virginrecords.com">Virgin Records America</A>'s web site.

Concluding its six-year evaluation of Digital Audio Radio (DAR) systems, the <A HREF="http://www.cema.org">Consumer Electronics Manufacturers Association</A> (CEMA) filed its final report last month with the Federal Communications Commission (FCC). The report, "Technical Evaluations of Digital Audio Radio Systems: Laboratory and Field Test Results, System Performance, Conclusions," is available to the public from the FCC and through CEMA's <A HREF="http://www.cemacity.org/works/pubs/files/dar.htm">website</A&gt;.

On March 17, <A HREF="http://www.recoton.com">Recoton Corporation</A> announced that it has licensed the <A HREF="http://www.nhthifi.com">NHT</A&gt; brand name to Vergence Technology, Inc. NHT is a name known among audiophiles for its line of loudspeaker products for home audio. Vergence intends to utilize the NHT brand name on its new line of products designed specifically for the pro audio and professional home music markets. Planning for this marketing agreement has been in development for many months with Vergence Technology's Chris Byrne and Ken Kantor, who were also the founders of NHT.

On March 20, at the CeBIT '98 convention in Hanover, Germany, several leading manufacturers of CD-ReWritable (CD-RW) drives and media announced that the market for CD-RW products has grown much faster than originally predicted.

There was something odd about the clock on Jim Thiel's office wall. I didn't get it at first, other than noting that instead of the minutes being marked off at 12 five-minute intervals, Jim's clock had 24 markings. That was it: as well as the number "12" in its usual place at the top of the face, there was another "12" at the bottom, where the "6" usually is. The clock that Jim built was typical of everything this laconic loudspeaker engineer is involved in: logical, functional, and different from what anyone else in the same field does. In his cigarette-strained drawl, Jim explained that the short hand of his clock always points toward the sun: directly up at noon, directly down at midnight. That's the way a clock should be, declared Jim, and when you're in his company, it's hard to see how he could be wrong.