Jacques Mahul of JMlab: Inverted domes & otherwise... Page 4
Jacques Mahul is an interesting, thoughtful man. He's entirely Parisian: international, urbane, and sophisticated. During "HeeFee" '96 in Paris, Kathleen and I sat down with him and spoke about his early years as an audiophile. To accompany <A HREF="http://www.stereophile.com//loudspeakerreviews/273/">my review</A> of the JMlab Utopia, We tried to find out what drives him—to make the drivers he makes today! I asked him when had it all started:
Jacques Mahul of JMlab: Inverted domes & otherwise... Page 3
Jacques Mahul is an interesting, thoughtful man. He's entirely Parisian: international, urbane, and sophisticated. During "HeeFee" '96 in Paris, Kathleen and I sat down with him and spoke about his early years as an audiophile. To accompany <A HREF="http://www.stereophile.com//loudspeakerreviews/273/">my review</A> of the JMlab Utopia, We tried to find out what drives him—to make the drivers he makes today! I asked him when had it all started:
Jacques Mahul of JMlab: Inverted domes & otherwise... Page 2
Jacques Mahul is an interesting, thoughtful man. He's entirely Parisian: international, urbane, and sophisticated. During "HeeFee" '96 in Paris, Kathleen and I sat down with him and spoke about his early years as an audiophile. To accompany <A HREF="http://www.stereophile.com//loudspeakerreviews/273/">my review</A> of the JMlab Utopia, We tried to find out what drives him—to make the drivers he makes today! I asked him when had it all started:
Jacques Mahul of JMlab: Inverted domes & otherwise...
Mar 31, 1998First Published:Apr 01, 1998
Jacques Mahul is an interesting, thoughtful man. He's entirely Parisian: international, urbane, and sophisticated. During "HeeFee" '96 in Paris, Kathleen and I sat down with him and spoke about his early years as an audiophile. To accompany <A HREF="http://www.stereophile.com//loudspeakerreviews/273/">my review</A> of the JMlab Utopia, We tried to find out what drives him—to make the drivers he makes today! I asked him when had it all started:
I first met <A HREF="http://www.stereophile.com//interviews/274/">Jacques Mahul</A> (the JM in JMlab/Focal) when my wife Kathleen and I traveled to Paris to cover HiFi (Hee-Fee) '96. The sound produced by the JMlab Grand Utopias—on a collection of many-chassis'd YBA electronics—got my enthusiastic vote for best of show (footnote 1). JMlab's large demo room was always packed to the rafters with avid listeners. (As a group, <I>melomanes</I>, as audiophiles are called in France, exactly mirror their stateside brethren in appearance and general demeanor. Yes, they're a raucous and demanding bunch!)
I first met <A HREF="http://www.stereophile.com//interviews/274/">Jacques Mahul</A> (the JM in JMlab/Focal) when my wife Kathleen and I traveled to Paris to cover HiFi (Hee-Fee) '96. The sound produced by the JMlab Grand Utopias—on a collection of many-chassis'd YBA electronics—got my enthusiastic vote for best of show (footnote 1). JMlab's large demo room was always packed to the rafters with avid listeners. (As a group, <I>melomanes</I>, as audiophiles are called in France, exactly mirror their stateside brethren in appearance and general demeanor. Yes, they're a raucous and demanding bunch!)
I first met <A HREF="http://www.stereophile.com//interviews/274/">Jacques Mahul</A> (the JM in JMlab/Focal) when my wife Kathleen and I traveled to Paris to cover HiFi (Hee-Fee) '96. The sound produced by the JMlab Grand Utopias—on a collection of many-chassis'd YBA electronics—got my enthusiastic vote for best of show (footnote 1). JMlab's large demo room was always packed to the rafters with avid listeners. (As a group, <I>melomanes</I>, as audiophiles are called in France, exactly mirror their stateside brethren in appearance and general demeanor. Yes, they're a raucous and demanding bunch!)
I first met <A HREF="http://www.stereophile.com//interviews/274/">Jacques Mahul</A> (the JM in JMlab/Focal) when my wife Kathleen and I traveled to Paris to cover HiFi (Hee-Fee) '96. The sound produced by the JMlab Grand Utopias—on a collection of many-chassis'd YBA electronics—got my enthusiastic vote for best of show (footnote 1). JMlab's large demo room was always packed to the rafters with avid listeners. (As a group, <I>melomanes</I>, as audiophiles are called in France, exactly mirror their stateside brethren in appearance and general demeanor. Yes, they're a raucous and demanding bunch!)
I first met <A HREF="http://www.stereophile.com//interviews/274/">Jacques Mahul</A> (the JM in JMlab/Focal) when my wife Kathleen and I traveled to Paris to cover HiFi (Hee-Fee) '96. The sound produced by the JMlab Grand Utopias—on a collection of many-chassis'd YBA electronics—got my enthusiastic vote for best of show (footnote 1). JMlab's large demo room was always packed to the rafters with avid listeners. (As a group, <I>melomanes</I>, as audiophiles are called in France, exactly mirror their stateside brethren in appearance and general demeanor. Yes, they're a raucous and demanding bunch!)
I first met <A HREF="http://www.stereophile.com//interviews/274/">Jacques Mahul</A> (the JM in JMlab/Focal) when my wife Kathleen and I traveled to Paris to cover HiFi (Hee-Fee) '96. The sound produced by the JMlab Grand Utopias—on a collection of many-chassis'd YBA electronics—got my enthusiastic vote for best of show (footnote 1). JMlab's large demo room was always packed to the rafters with avid listeners. (As a group, <I>melomanes</I>, as audiophiles are called in France, exactly mirror their stateside brethren in appearance and general demeanor. Yes, they're a raucous and demanding bunch!)