Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Last week, <A HREF="http://www.peavey.com">Peavey Electronics</A> and <A HREF="http://www.digitalharmony.com">Digital Harmony</A> announced a licensing agreement that they say aims to revolutionize audio production, music publishing, and distribution. By licensing Digital Harmony Pro technology, Peavey says it plans to create the pro-audio industry's first non-proprietary 1394-equipped digital audio products and systems.

One of the challenges facing audio equipment manufacturers as we enter the Internet age is how to handle online retailing of products to consumers. A manufacturer that has so far shunned mail-order in favor of bricks-and-mortar retailing runs the risk of alienating its established distribution base by jumping online ("mail order with a web address"), where traditional territorial sales boundaries are often rendered meaningless.

MP3 players are going to hit the market in waves this fall, and manufacturers will be trying hard to make their products stand out from the pack. Several companies are bringing out combi MP3/CD portables, including consumer-electronics newcomer <A HREF="http://www.pineusa.com/">Pine Technology USA</A>, of Fremont, California. Pine has long experience in the manufacture of motherboards, modems, and other computer components. The company is now shipping its $189 D'Music SM-320V MP3 portable. Its $219 model SM-320 includes an FM tuner. Both players have 32Mb of embedded solid-state memory and will accept a 32Mb SmartMedia card. Pine's players operate on two AAA batteries, and can double as voice recorders with up to 4.5 hours of recording capacity. Retailers include Fry's Electronics and Office Depot.