Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Unless you've recently returned from a five-year tour of Tibetan monasteries, the odds are pretty good you've heard about the Nautilus revision of B&W's classic three-way floorstanding monitor, the 801. Having sold 30,000 of the earlier 801, the Matrix, B&W recently revised this classic to incorporate some design features of its $40,000, four-way concept speaker, the Nautilus. Wes Phillips reviewed the new Nautilus 801 in the January 1999 <I>Stereophile</I> (p.107) and found it "incredibly dynamic, images and soundstages like crazy, and has that special magic that marks it as one of the great loudspeakers."

Last week, <A HREF="http://www.peavey.com">Peavey Electronics</A> and <A HREF="http://www.digitalharmony.com">Digital Harmony</A> announced a licensing agreement that they say aims to revolutionize audio production, music publishing, and distribution. By licensing Digital Harmony Pro technology, Peavey says it plans to create the pro-audio industry's first non-proprietary 1394-equipped digital audio products and systems.