The <A HREF="http://www.jeffrowland.com/">Jeff Rowland Design Group</A> is alive and well and in no danger of going out of business. The company was the victim of hackers who recently broke into the company's website and posted a notice to the contrary.

Last week, the Secure Digital Music Initiative announced that it would allow free MP3 downloads to co-exist with new encrypted forms of digital music transmission. Despite this, widespread concern in corporate legal departments about copyright-violation liability has prompted software developers to come up with blocking techniques to prevent pirated music from entering company "Intranets."

One would think that the Internet was growing crowded with online music retailers such as CDnow/N2K, Amazon.com, EveryCD, and Tower Records, just to name a few, all hustling CDs. But the lure of gold in them e-commerce hills is hard to resist. Last week, <A HREF="http://barnesandnoble.com">barnesandnoble.com</A&gt; jumped into the fray and announced the launch of its own Music Store, featuring what the company describes as the first "online classical music superstore." Notably late to market with its online bookselling franchise, barnesandnoble.com hopes to gain ground against arch-rival Amazon.com by expanding beyond books and better focusing on niche markets.

One room at the 1999 CES in Las Vegas that knocked me for a loop was the Avalon/Class&#233; installation mentioned in my April show report. Class&#233; had just debuted the Omega preamp, the companion piece to the Omega amplifier I reviewed in March. It proved a very suave, musical, and high-performance marriage.

One room at the 1999 CES in Las Vegas that knocked me for a loop was the Avalon/Class&#233; installation mentioned in my April show report. Class&#233; had just debuted the Omega preamp, the companion piece to the Omega amplifier I reviewed in March. It proved a very suave, musical, and high-performance marriage.

One room at the 1999 CES in Las Vegas that knocked me for a loop was the Avalon/Class&#233; installation mentioned in my April show report. Class&#233; had just debuted the Omega preamp, the companion piece to the Omega amplifier I reviewed in March. It proved a very suave, musical, and high-performance marriage.

One room at the 1999 CES in Las Vegas that knocked me for a loop was the Avalon/Class&#233; installation mentioned in my April show report. Class&#233; had just debuted the Omega preamp, the companion piece to the Omega amplifier I reviewed in March. It proved a very suave, musical, and high-performance marriage.

One room at the 1999 CES in Las Vegas that knocked me for a loop was the Avalon/Class&#233; installation mentioned in my April show report. Class&#233; had just debuted the Omega preamp, the companion piece to the Omega amplifier I reviewed in March. It proved a very suave, musical, and high-performance marriage.

One room at the 1999 CES in Las Vegas that knocked me for a loop was the Avalon/Class&#233; installation mentioned in my April show report. Class&#233; had just debuted the Omega preamp, the companion piece to the Omega amplifier I reviewed in March. It proved a very suave, musical, and high-performance marriage.

One room at the 1999 CES in Las Vegas that knocked me for a loop was the Avalon/Class&#233; installation mentioned in my April show report. Class&#233; had just debuted the Omega preamp, the companion piece to the Omega amplifier I reviewed in March. It proved a very suave, musical, and high-performance marriage.