My father could not resist buying electronic and photographic gear. As soon as he heard about a new Polaroid camera, or a new weather radio, tape recorder, or color television, he'd go shopping. He'd be even more eager to buy an updated version of what he already had, particularly if this meant there was a story to tell. He'd buy one for himself, and sometimes he'd give me and my three brothers one of our own for a birthday or Christmas gift. (I often thought he took more pleasure from giving to us than he did from getting his own.)

My father could not resist buying electronic and photographic gear. As soon as he heard about a new Polaroid camera, or a new weather radio, tape recorder, or color television, he'd go shopping. He'd be even more eager to buy an updated version of what he already had, particularly if this meant there was a story to tell. He'd buy one for himself, and sometimes he'd give me and my three brothers one of our own for a birthday or Christmas gift. (I often thought he took more pleasure from giving to us than he did from getting his own.)

My father could not resist buying electronic and photographic gear. As soon as he heard about a new Polaroid camera, or a new weather radio, tape recorder, or color television, he'd go shopping. He'd be even more eager to buy an updated version of what he already had, particularly if this meant there was a story to tell. He'd buy one for himself, and sometimes he'd give me and my three brothers one of our own for a birthday or Christmas gift. (I often thought he took more pleasure from giving to us than he did from getting his own.)

My father could not resist buying electronic and photographic gear. As soon as he heard about a new Polaroid camera, or a new weather radio, tape recorder, or color television, he'd go shopping. He'd be even more eager to buy an updated version of what he already had, particularly if this meant there was a story to tell. He'd buy one for himself, and sometimes he'd give me and my three brothers one of our own for a birthday or Christmas gift. (I often thought he took more pleasure from giving to us than he did from getting his own.)

<B>GEORGE JONES: <I>Cold Hard Truth</I></B><BR> Asylum 62368-2 (CD). 1999. Keith Stegall, prod.; John Kelton, eng.; Mark Nevers, Brady Barnett, Steven Crowder, John Stolpe, asst. engs. AAD? TT: 34:16<BR> Performance <B>****?</B><BR> Sonics <B>****?</B>

I've heard my share of Krells, Levinsons, Rowlands, and the like in other people's systems&mdash;expensive solid-state amplifiers are not my usual beat. With the exception of an inexpensive Adcom a few years back, for more than a decade I've owned and reviewed only tube amps. In fact, until the $7500 Ayre Acoustics V-1 showed up, I'd not had one in my system. Similarly, I'd had only tube <I>pre</I>amps until I reviewed the Ayre K-3, which so impressed me that I asked to hear the <A HREF="http://www.stereophile.com//amplificationreviews/609/">more expensive K-1</A>&mdash;and ended up buying it.

I've heard my share of Krells, Levinsons, Rowlands, and the like in other people's systems&mdash;expensive solid-state amplifiers are not my usual beat. With the exception of an inexpensive Adcom a few years back, for more than a decade I've owned and reviewed only tube amps. In fact, until the $7500 Ayre Acoustics V-1 showed up, I'd not had one in my system. Similarly, I'd had only tube <I>pre</I>amps until I reviewed the Ayre K-3, which so impressed me that I asked to hear the <A HREF="http://www.stereophile.com//amplificationreviews/609/">more expensive K-1</A>&mdash;and ended up buying it.

I've heard my share of Krells, Levinsons, Rowlands, and the like in other people's systems&mdash;expensive solid-state amplifiers are not my usual beat. With the exception of an inexpensive Adcom a few years back, for more than a decade I've owned and reviewed only tube amps. In fact, until the $7500 Ayre Acoustics V-1 showed up, I'd not had one in my system. Similarly, I'd had only tube <I>pre</I>amps until I reviewed the Ayre K-3, which so impressed me that I asked to hear the <A HREF="http://www.stereophile.com//amplificationreviews/609/">more expensive K-1</A>&mdash;and ended up buying it.

I've heard my share of Krells, Levinsons, Rowlands, and the like in other people's systems&mdash;expensive solid-state amplifiers are not my usual beat. With the exception of an inexpensive Adcom a few years back, for more than a decade I've owned and reviewed only tube amps. In fact, until the $7500 Ayre Acoustics V-1 showed up, I'd not had one in my system. Similarly, I'd had only tube <I>pre</I>amps until I reviewed the Ayre K-3, which so impressed me that I asked to hear the <A HREF="http://www.stereophile.com//amplificationreviews/609/">more expensive K-1</A>&mdash;and ended up buying it.

I've heard my share of Krells, Levinsons, Rowlands, and the like in other people's systems&mdash;expensive solid-state amplifiers are not my usual beat. With the exception of an inexpensive Adcom a few years back, for more than a decade I've owned and reviewed only tube amps. In fact, until the $7500 Ayre Acoustics V-1 showed up, I'd not had one in my system. Similarly, I'd had only tube <I>pre</I>amps until I reviewed the Ayre K-3, which so impressed me that I asked to hear the <A HREF="http://www.stereophile.com//amplificationreviews/609/">more expensive K-1</A>&mdash;and ended up buying it.