Tito Puente, the "Mambo King" who fused jazz with Latin rhythms, died Wednesday, May 31 at New York University's Medical Center from complications following heart surgery. Puente was 77.

With multichannel DVD-Audio just around the corner, the surround-sound debate among audiophiles is starting anew. But how far have we come with surround sound in 30 years? J. Gordon Holt wrote "<A HREF="http://www.stereophile.com//asweseeit/235/">Bye Bye, Quadrifi?</A>" back in 1971, in which he explored the same dilemmas faced by today's audiophile.

Build the audiophile kingdom and they will come . . . or do we need to get out there and proselytize? In <A HREF="http://www.stereophile.com//finetunes/233/">"Fine Tunes" #22</A>, Jonathan Scull looks at the debate both ways and comes to a conclusion.

When we received notice several days ago from <A HREF="http://www.panasonic.com">Panasonic</A&gt; that the company was finally releasing its DVD-Audio players next month, we filed the press release for a couple of days to see if it would last the week (see <A HREF="http://www.stereophile.com/news/10620/">previous story</A>). Apparently, the products are still a go. Panasonic says it will offer a full line of DVD-Audio/Video models under both the Panasonic and Technics brand names, with the first units arriving in stores in July. As <A HREF="http://www.stereophile.com/news/10509/">previously announced</A> back in August 1999, the Panasonic DVD-A7 will have a suggested retail price of $999.95, and the Technics DVD-A10 will have an SRP of $1199.95.

Will the European Union extend copyright protection to new digital media? That question was still unresolved Friday, May 26, after extended talks between ministers of the EU's 15 member nations failed to produce a coherent result. Meeting in Brussels, the ministers have been discussing how best to protect the interests of copyright holders while allowing consumers adequate leeway to use and reproduce legally purchased music, movies, video, and computer software.

Music sales over the past two years have increased almost everywhere except near college campuses, according to a recent study undertaken by <A HREF="http://www.reciprocal.com/">Reciprocal, Inc.</A>, a digital-rights management company. The first quarter of 2000 showed a 12% rise in overall music sales compared to the same period in 1998&mdash;except at stores located within five miles of a college campus. Reciprocal reached its conclusions based on figures supplied by sales-tracking organization <A HREF="http://wallofsound.go.com/charts/index.html/">Soundscan, Inc.</A>

The <A HREF="http://www.sdmi.org/">Secure Digital Music Initiative</A>'s move to establish a copy-prevention technology for commercial recordings has rankled audio engineers, who claim that the audible watermarking technique chosen by the organization could mar high-resolution recordings. Of particular concern are SDMI's testing methods and its rush to get a standard in place without commentary from engineers or the music-buying public.

Last year, <I>Stereophile</I>'s Barry Willis took a trip to Ogden, Utah, to <A HREF="http://www.stereophile.com/news/10416/">report</A&gt; on what was then a secret speaker project being conducted by <A HREF="http://www.kimberkable.com/">Kimber Kable</A>'s Ray Kimber and designer Eric Alexander. After informal listening, Willis noted that, while not being able to completely nail down what the "under development" DiAural crossover circuitry was doing, something new was certainly in the air.

<B>DR. JOHN: Duke Elegant</B><BR> Blue Note 5 23220 2 (CD). 2000. Mac Rebennack, prod.; Suz Dyer, eng.; Steve Revitte, Tovi Rodriguez, asst. engs. AAD? TT: 66:40<BR> Performance <B>****?</B><BR> Sonics <B>****?</B>