Although the Accuphase DP-75V looks like a conventional single-box CD player, it's actually a separate transport section and digital processor, each of which can be used independently. The transport is a 16-bit/44.1kHz mechanism, the datastream appearing on RCA coax and TosLink optical output connectors on the rear panel.

Although the Accuphase DP-75V looks like a conventional single-box CD player, it's actually a separate transport section and digital processor, each of which can be used independently. The transport is a 16-bit/44.1kHz mechanism, the datastream appearing on RCA coax and TosLink optical output connectors on the rear panel.

Although the Accuphase DP-75V looks like a conventional single-box CD player, it's actually a separate transport section and digital processor, each of which can be used independently. The transport is a 16-bit/44.1kHz mechanism, the datastream appearing on RCA coax and TosLink optical output connectors on the rear panel.

Although the Accuphase DP-75V looks like a conventional single-box CD player, it's actually a separate transport section and digital processor, each of which can be used independently. The transport is a 16-bit/44.1kHz mechanism, the datastream appearing on RCA coax and TosLink optical output connectors on the rear panel.

Although the Accuphase DP-75V looks like a conventional single-box CD player, it's actually a separate transport section and digital processor, each of which can be used independently. The transport is a 16-bit/44.1kHz mechanism, the datastream appearing on RCA coax and TosLink optical output connectors on the rear panel.

Although the Accuphase DP-75V looks like a conventional single-box CD player, it's actually a separate transport section and digital processor, each of which can be used independently. The transport is a 16-bit/44.1kHz mechanism, the datastream appearing on RCA coax and TosLink optical output connectors on the rear panel.

With <A HREF="http://www.stereophile.com/news/10793/">Napster</A&gt; as the little red devil with a pitchfork prodding them on, the third-largest record company in the world, <A HREF="http://www.emigroup.com">EMI</A&gt;, making good on its <A HREF="http://www.stereophile.com/news/10745/">earlier announcement</A>, last week became the first major label to begin releasing music online. In a move the company hopes will silence the critics who say that Napster has become successful because the big labels have provided no Web-based alternatives, EMI put over 100 albums and 40 singles online "through all the normal retail websites."

Audiophiles have complained since the earliest days of the compact disc that music reissued in the digital format often doesn't sound as good as it does on the original LPs. For nearly 20 years, such complaints have been dismissed by ordinary music lovers and by music-industry executives as the rantings of purists, but at least one major label is now admitting that many early CDs were not very good.

By their very nature, most audiophiles seem perpetually restless, never content with that last tweak. Following in that hallowed tradition, <A HREF="http://www.psaudio.com">PS Audio</A> has been trying to reinvent the technologies traditionally used in power-line conditioners to optimize those pulses of alternating current that juice our audio systems. The company made waves with the introduction of their Power Plant line of products last year (see <A HREF="http://www.stereophile.com/news/10317/">previous report</A>); their P300 garnered a very positive <A HREF="http://www.stereophile.com//accessoryreviews/181/">review</A&gt; from <I>Stereophile</I>'s Robert Deutsch.