When audiophiles speak of "imaging," they may not be using the term metaphorically. Recent research at the University of California at San Diego's School of Medicine indicates that hearing and vision are more closely related than had been previously thought.

Flexibility is the name of the game as <A HREF="http://www.thetadigital.com/">Theta Digital</A> plays it. The innovative Agoura Hills, CA company has announced the Casablanca II, a modular upgradable preamp/processor for music and cinema applications, as well as two-channel modules for its Dreadnaught power amplifier.

Describing the <A HREF="http://www.stereophile.com//amplificationreviews/288/">Audio Research Reference Two preamplifier</A>, Michael Fremer writes "Audio Research's first 21st-century, audiophile-quality line-stage preamplifier combines retro-tech vacuum-tube amplification and power-supply circuitry with innovative, remote-controlled gain, balance, tape monitoring, and signal routing. The price is also 21st-century: $9995." Worth every penny? Fremer offers his assessment.

Not too long ago, the word "convergence" had everyone in the High End ready to duck'n'cover. Asia was on the ropes, and a shakeout was thinning the ranks of high-end audio manufacturers. Some US companies were marketing and selling most of their output to the Pacific Rim. The writing was on the wall: High-end was dead, and we'd all just better get used to listening to music on our computers.

In the early days of digital audio, I remember talking with Dr. Tom Stockham, the developer of the groundbreaking Soundstream system used then by Telarc. As well as using a 50kHz sample rate, the excellent-sounding Soundstream stored its 16-bit data on large drum-shaped Winchester drives connected to a minicomputer. Twenty years later, the advent of ultra-high-density magnetic storage media and fast microprocessor chips has put high-resolution digital audio manipulation and storage within reach of anyone with a modern PC or Mac. And facilitating the transformation of the PC into a high-quality DAW has been a new generation of soundcards, such as the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> I reviewed in September 2000 and the subject of this review, the German RME Digi96/8 Pro.

In the early days of digital audio, I remember talking with Dr. Tom Stockham, the developer of the groundbreaking Soundstream system used then by Telarc. As well as using a 50kHz sample rate, the excellent-sounding Soundstream stored its 16-bit data on large drum-shaped Winchester drives connected to a minicomputer. Twenty years later, the advent of ultra-high-density magnetic storage media and fast microprocessor chips has put high-resolution digital audio manipulation and storage within reach of anyone with a modern PC or Mac. And facilitating the transformation of the PC into a high-quality DAW has been a new generation of soundcards, such as the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> I reviewed in September 2000 and the subject of this review, the German RME Digi96/8 Pro.

In the early days of digital audio, I remember talking with Dr. Tom Stockham, the developer of the groundbreaking Soundstream system used then by Telarc. As well as using a 50kHz sample rate, the excellent-sounding Soundstream stored its 16-bit data on large drum-shaped Winchester drives connected to a minicomputer. Twenty years later, the advent of ultra-high-density magnetic storage media and fast microprocessor chips has put high-resolution digital audio manipulation and storage within reach of anyone with a modern PC or Mac. And facilitating the transformation of the PC into a high-quality DAW has been a new generation of soundcards, such as the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> I reviewed in September 2000 and the subject of this review, the German RME Digi96/8 Pro.

In the early days of digital audio, I remember talking with Dr. Tom Stockham, the developer of the groundbreaking Soundstream system used then by Telarc. As well as using a 50kHz sample rate, the excellent-sounding Soundstream stored its 16-bit data on large drum-shaped Winchester drives connected to a minicomputer. Twenty years later, the advent of ultra-high-density magnetic storage media and fast microprocessor chips has put high-resolution digital audio manipulation and storage within reach of anyone with a modern PC or Mac. And facilitating the transformation of the PC into a high-quality DAW has been a new generation of soundcards, such as the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> I reviewed in September 2000 and the subject of this review, the German RME Digi96/8 Pro.

In the early days of digital audio, I remember talking with Dr. Tom Stockham, the developer of the groundbreaking Soundstream system used then by Telarc. As well as using a 50kHz sample rate, the excellent-sounding Soundstream stored its 16-bit data on large drum-shaped Winchester drives connected to a minicomputer. Twenty years later, the advent of ultra-high-density magnetic storage media and fast microprocessor chips has put high-resolution digital audio manipulation and storage within reach of anyone with a modern PC or Mac. And facilitating the transformation of the PC into a high-quality DAW has been a new generation of soundcards, such as the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> I reviewed in September 2000 and the subject of this review, the German RME Digi96/8 Pro.

In the early days of digital audio, I remember talking with Dr. Tom Stockham, the developer of the groundbreaking Soundstream system used then by Telarc. As well as using a 50kHz sample rate, the excellent-sounding Soundstream stored its 16-bit data on large drum-shaped Winchester drives connected to a minicomputer. Twenty years later, the advent of ultra-high-density magnetic storage media and fast microprocessor chips has put high-resolution digital audio manipulation and storage within reach of anyone with a modern PC or Mac. And facilitating the transformation of the PC into a high-quality DAW has been a new generation of soundcards, such as the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> I reviewed in September 2000 and the subject of this review, the German RME Digi96/8 Pro.