Teresa Sterne, a pioneer in the production of classical music recordings and a visionary marketer of classical and ethnomusicological recordings, died December 10, 2000 of amyotrophic lateral sclerosis (Lou Gerhrig's disease). She was 73.

After three years in limbo, Threshold will make an official return to the audio market at the upcoming Consumer Electronics Show. The new company's initial emphasis will be on professional equipment with crossover appeal for audiophiles, according to Threshold's former national sales manager Chris English, a principal in the new venture. A name for the new company has yet to be decided.

We've just posted something new for sale on <I>Stereophile</I>'s <A HREF="https://secure.stereophile.com/stereophile/record.html">Recordings</A&gt; page. But this is not just any new CD release&mdash;it's a comprehensive 10-CD boxed set of Robert Silverman performing the 32 Beethoven Piano Sonatas, recorded by our very own John Atkinson. Cheapskates rejoice: the complete 10-disc set retails for a very reasonable $65, bringing the price of each CD in the box to a mere $6.50.

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together&mdash;they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together&mdash;they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together&mdash;they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together&mdash;they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together&mdash;they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together&mdash;they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together&mdash;they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"