It's sometimes amazing how courtroom adversaries can become bosom buddies. This week's example: on May 21, <A HREF="http://www.vivendiuniversal.com">Vivendi Universal SA</A> agreed to acquire Internet music portal <A HREF="http://www.mp3.com">MP3.com Inc</A>. for $372 million (423 million euros) in cash and stock&mdash;or $5.00/share for MP3.com stockholders. The announcement followed Vivendi's April 5 <A HREF="http://www.stereophile.com/news/11015/">acquisition</A&gt; of Emusic.com for $24 million. The targeted companies' boards of directors unanimously approved both deals. MP3.com will continue to offer music from non-Universal labels, according to a company press release.

The <A HREF="http://www.sdmi.org">Secure Digital Music Initiative</A> has decided to reconfirm San Diego&ndash;based <A HREF="http://www.verance.com">Verance Corporation</A>'s watermarking technology as its choice for inhibiting piracy in digitally recorded music. The May 21 announcement was made by the SDMI Plenary after a year-long campaign to evaluate the effectiveness and <A HREF="http://www.stereophile.com/news/10870/">audibility</A&gt; of watermarks from 14 different vendors. The group has also apparently decided to halt further research and development efforts, which have been widely blamed for hobbling the rollout of DVD-Audio.

"J-10, tweakoman," began the e-mail from one of Stereophile's Web mavens and a contributor to "Industry Update," the estimable Barry Willis, "hockey pucks are the cure for what ails you."

As part of this issue's coverage of the recent Consumer Electronics Show (see Sidebar), I report on my dissatisfaction with almost all the surround-sound demonstrations I experienced in Las Vegas. As a music-lover, the last thing I want is to have trumpets and drums attacking me from behind, yet almost without exception, that is what record producers seem to feel is an essential part of the DVD-Audio and SACD experiences.

As part of this issue's coverage of the recent Consumer Electronics Show (see Sidebar), I report on my dissatisfaction with almost all the surround-sound demonstrations I experienced in Las Vegas. As a music-lover, the last thing I want is to have trumpets and drums attacking me from behind, yet almost without exception, that is what record producers seem to feel is an essential part of the DVD-Audio and SACD experiences.

Henry David Thoreau once wrote that "The eye is the first circle; the horizon it forms is the second." A profound observation, indeed: The horizon exists only in being perceived. Kind of like music, in fact.

Henry David Thoreau once wrote that "The eye is the first circle; the horizon it forms is the second." A profound observation, indeed: The horizon exists only in being perceived. Kind of like music, in fact.

The L2 Reference sits at the top of Lamm Industries' preamplifier line. According to the manual, its "unique" circuitry uses specially selected, superlinear, high-voltage MOSFET transistors that ensure class-A operation from input to output, with no overall negative feedback at any stage. <I>All</I> stages, including the high-current output buffers, are single-ended.

The L2 Reference sits at the top of Lamm Industries' preamplifier line. According to the manual, its "unique" circuitry uses specially selected, superlinear, high-voltage MOSFET transistors that ensure class-A operation from input to output, with no overall negative feedback at any stage. <I>All</I> stages, including the high-current output buffers, are single-ended.

The L2 Reference sits at the top of Lamm Industries' preamplifier line. According to the manual, its "unique" circuitry uses specially selected, superlinear, high-voltage MOSFET transistors that ensure class-A operation from input to output, with no overall negative feedback at any stage. <I>All</I> stages, including the high-current output buffers, are single-ended.