Charity Auction Prize: Private Delmoni Concert

Charity Auction Prize: Private Delmoni Concert

Record producer and <I>Stereophile</I> contributor <A HREF="mailto:jmrcds@jmrcds.com"&gt; John Marks</A> has informed us that classical violinist Arturo Delmoni has agreed to throw his considerable talent behind the <A HREF="http://www.stereophile.com/news/11141/">Audio Charity Auction</A>, organized in the wake of the September 11 terrorist attack that destroyed the World Trade Center and killed more than 6000 people.

De-Crackle, De-Pop, Burn

De-Crackle, De-Pop, Burn

Bringing old albums out of the vaults and onto the market as CDs is a pretty standard process these days. First you get the licensing straightened out, find the original cover art, and locate the first-generation master tapes. In a pinch, the safety copies of the masters can be used, but if these also can't be located, what next?

Retailing: Up, Down, Sideways

Retailing: Up, Down, Sideways

The terrorist attack of September 11 will likely worsen an already dark period for American retailers. The Dow Jones Industrial Average declined by more than 14% in the week after the attack, the largest slide since the week of July 21, 1933. In the present circumstances, Americans are generally reticent to spend money, according to many reports, a situation that will affect manufacturers and retailers for months or years to come.

Added to the Archives This Week

Added to the Archives This Week

A comprehensive set of reviews awaits those interested in learning everything there is to know about the legendary <A HREF="http://www.stereophile.com//loudspeakerreviews/416/">Quad ESL-63 loudspeaker</A>. Writers checking in with analysis, background, and opinion include J. Gordon Holt, Anthony H. Cordesman, Sam Tellig, Martin Colloms, Larry Greenhill, and John Atkinson.

Fine Tunes #39

Fine Tunes #39

Last month I wrote about lasers of various pedigrees, so useful in marking walls to the sides and behind the listening position to ensure that your loudspeakers are toed-in, level, and equidistant from the sweet spot for best soundstage, imaging and focus. Using small Avery stick-'em labels makes this a snap. I've converged the tweeter axes of my JMlab Utopias somewhere about a foot into the wall behind the rearmost of our two listening chairs, and use two Studio Traps and a single Argent RoomLens between the speakers to cancel and damp the near-rear-wall reflections. With just a jiggle of the chair back or forward, suddenly I'm there.
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