<A HREF="http://www.xmradio.com">XM Radio</A> held a press conference in New York City Thursday, April 18. The event was heralded with great secrecy—attendees were enticed with promises of "major news," but no one leaked details beforehand, and the press arrived expecting something juicy indeed.
Like the companies in most high-tech industries, audio businesses are a volatile lot, with startups, mergers, acquisitions—and the occasional bankruptcy or flame-out—not uncommon. In that ongoing tradition, at the 2002 Consumer Electronics Show in Las Vegas, <A HREF="http://www.ultralinkcables.com">Ultralink Products</A> announced on January 7 its intention to purchase the assets of cable manufacturer <A HREF="http://www.xloelectric.com">XLO Electric</A>.
In his review of the <A HREF="http://www.stereophile.com//amplificationreviews/560/">Music Reference RM-200 power amplifier</A>, Michael Fremer claims, "Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people." MF explains why he reviewed the RM-200 despite the inevitable public humiliation.
Music Reference RM-200 power amplifier Manufacturer's Comment
Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people. I don't know how else to describe the feeling of spending a month or two luxuriating in fabulous sound, then writing a glowing review, then receiving a copy of the review as it will appear in the magazine, complete with John Atkinson's assessment of the amp's test-bench performance, which is usually miserable.
Music Reference RM-200 power amplifier Measurements part 2
Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people. I don't know how else to describe the feeling of spending a month or two luxuriating in fabulous sound, then writing a glowing review, then receiving a copy of the review as it will appear in the magazine, complete with John Atkinson's assessment of the amp's test-bench performance, which is usually miserable.
Music Reference RM-200 power amplifier Measurements
Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people. I don't know how else to describe the feeling of spending a month or two luxuriating in fabulous sound, then writing a glowing review, then receiving a copy of the review as it will appear in the magazine, complete with John Atkinson's assessment of the amp's test-bench performance, which is usually miserable.
Music Reference RM-200 power amplifier Associated Equipment
Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people. I don't know how else to describe the feeling of spending a month or two luxuriating in fabulous sound, then writing a glowing review, then receiving a copy of the review as it will appear in the magazine, complete with John Atkinson's assessment of the amp's test-bench performance, which is usually miserable.
Music Reference RM-200 power amplifier Specifications
Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people. I don't know how else to describe the feeling of spending a month or two luxuriating in fabulous sound, then writing a glowing review, then receiving a copy of the review as it will appear in the magazine, complete with John Atkinson's assessment of the amp's test-bench performance, which is usually miserable.
Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people. I don't know how else to describe the feeling of spending a month or two luxuriating in fabulous sound, then writing a glowing review, then receiving a copy of the review as it will appear in the magazine, complete with John Atkinson's assessment of the amp's test-bench performance, which is usually miserable.
Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people. I don't know how else to describe the feeling of spending a month or two luxuriating in fabulous sound, then writing a glowing review, then receiving a copy of the review as it will appear in the magazine, complete with John Atkinson's assessment of the amp's test-bench performance, which is usually miserable.