I was riding BART home from <A HREF="http://www.stereophile.com/news/11662/">Home Entertainment 2003</A>, thinking about the day&mdash;the new products, the old friends, the rooms with really great sound. It's a long ride from downtown San Francisco to Livermore, so I next got to thinking about all of the hi-fi shows I've attended over the years and which companies, year after year, always seem to have good sound. At the top of the list were Audio Physic and its US importer, Allen Perkins' Immedia.

I was riding BART home from <A HREF="http://www.stereophile.com/news/11662/">Home Entertainment 2003</A>, thinking about the day&mdash;the new products, the old friends, the rooms with really great sound. It's a long ride from downtown San Francisco to Livermore, so I next got to thinking about all of the hi-fi shows I've attended over the years and which companies, year after year, always seem to have good sound. At the top of the list were Audio Physic and its US importer, Allen Perkins' Immedia.

When I interviewed recording engineer Roy Halee (Simon and Garfunkel, The Byrds, The Lovin' Spoonful, etc.) at his home in Connecticut back in 1991, he pointed to his pair of monolithic Infinity IRS loudspeakers and said, "When I want to listen for pleasure, I listen to those." He then pointed to a pair of early-edition Wilson Audio Specialties WATT/Puppys in a second system set up in the corner of his large listening room. "When I want to hear what's on a recording I've made, I listen to <I>those</I>." It was obvious: Halee respected the Wilsons, but he <I>loved</I> the Infinitys. Not surprising, since <A HREF="http://www.stereophile.com//interviews/478/">Dave Wilson</A> designed the WATT section to be a highly accurate portable monitor, and monitors are designed for respect, not love.

When I interviewed recording engineer Roy Halee (Simon and Garfunkel, The Byrds, The Lovin' Spoonful, etc.) at his home in Connecticut back in 1991, he pointed to his pair of monolithic Infinity IRS loudspeakers and said, "When I want to listen for pleasure, I listen to those." He then pointed to a pair of early-edition Wilson Audio Specialties WATT/Puppys in a second system set up in the corner of his large listening room. "When I want to hear what's on a recording I've made, I listen to <I>those</I>." It was obvious: Halee respected the Wilsons, but he <I>loved</I> the Infinitys. Not surprising, since <A HREF="http://www.stereophile.com//interviews/478/">Dave Wilson</A> designed the WATT section to be a highly accurate portable monitor, and monitors are designed for respect, not love.

When I interviewed recording engineer Roy Halee (Simon and Garfunkel, The Byrds, The Lovin' Spoonful, etc.) at his home in Connecticut back in 1991, he pointed to his pair of monolithic Infinity IRS loudspeakers and said, "When I want to listen for pleasure, I listen to those." He then pointed to a pair of early-edition Wilson Audio Specialties WATT/Puppys in a second system set up in the corner of his large listening room. "When I want to hear what's on a recording I've made, I listen to <I>those</I>." It was obvious: Halee respected the Wilsons, but he <I>loved</I> the Infinitys. Not surprising, since <A HREF="http://www.stereophile.com//interviews/478/">Dave Wilson</A> designed the WATT section to be a highly accurate portable monitor, and monitors are designed for respect, not love.

When I interviewed recording engineer Roy Halee (Simon and Garfunkel, The Byrds, The Lovin' Spoonful, etc.) at his home in Connecticut back in 1991, he pointed to his pair of monolithic Infinity IRS loudspeakers and said, "When I want to listen for pleasure, I listen to those." He then pointed to a pair of early-edition Wilson Audio Specialties WATT/Puppys in a second system set up in the corner of his large listening room. "When I want to hear what's on a recording I've made, I listen to <I>those</I>." It was obvious: Halee respected the Wilsons, but he <I>loved</I> the Infinitys. Not surprising, since <A HREF="http://www.stereophile.com//interviews/478/">Dave Wilson</A> designed the WATT section to be a highly accurate portable monitor, and monitors are designed for respect, not love.

When I interviewed recording engineer Roy Halee (Simon and Garfunkel, The Byrds, The Lovin' Spoonful, etc.) at his home in Connecticut back in 1991, he pointed to his pair of monolithic Infinity IRS loudspeakers and said, "When I want to listen for pleasure, I listen to those." He then pointed to a pair of early-edition Wilson Audio Specialties WATT/Puppys in a second system set up in the corner of his large listening room. "When I want to hear what's on a recording I've made, I listen to <I>those</I>." It was obvious: Halee respected the Wilsons, but he <I>loved</I> the Infinitys. Not surprising, since <A HREF="http://www.stereophile.com//interviews/478/">Dave Wilson</A> designed the WATT section to be a highly accurate portable monitor, and monitors are designed for respect, not love.

When I interviewed recording engineer Roy Halee (Simon and Garfunkel, The Byrds, The Lovin' Spoonful, etc.) at his home in Connecticut back in 1991, he pointed to his pair of monolithic Infinity IRS loudspeakers and said, "When I want to listen for pleasure, I listen to those." He then pointed to a pair of early-edition Wilson Audio Specialties WATT/Puppys in a second system set up in the corner of his large listening room. "When I want to hear what's on a recording I've made, I listen to <I>those</I>." It was obvious: Halee respected the Wilsons, but he <I>loved</I> the Infinitys. Not surprising, since <A HREF="http://www.stereophile.com//interviews/478/">Dave Wilson</A> designed the WATT section to be a highly accurate portable monitor, and monitors are designed for respect, not love.

When I interviewed recording engineer Roy Halee (Simon and Garfunkel, The Byrds, The Lovin' Spoonful, etc.) at his home in Connecticut back in 1991, he pointed to his pair of monolithic Infinity IRS loudspeakers and said, "When I want to listen for pleasure, I listen to those." He then pointed to a pair of early-edition Wilson Audio Specialties WATT/Puppys in a second system set up in the corner of his large listening room. "When I want to hear what's on a recording I've made, I listen to <I>those</I>." It was obvious: Halee respected the Wilsons, but he <I>loved</I> the Infinitys. Not surprising, since <A HREF="http://www.stereophile.com//interviews/478/">Dave Wilson</A> designed the WATT section to be a highly accurate portable monitor, and monitors are designed for respect, not love.