I've spent six-odd years in a sort of hi-fi counterculture, playing with things like mono cartridges, one-box CD players, and cheap, homemade cables&mdash;and, of course, owning and listening to single-ended triode (SET) amplifiers and horn loudspeakers. But before all that, I owned components that, while more mainstream, did the job just as well in certain ways. That category included solid-state electronics (Naim, BEL, Spectral), dynamic loudspeakers of middling efficiency (ProAc, Epos, Magneplanar), electrostatic loudspeakers of very low efficiency (Stax), and even "high-end" accessories like Tiptoes and <A HREF="http://www.stereophile.com//features/69/">Shun Mook Mpingo discs</A> (which I still have, although my five-year-old daughter has more or less permanently co-opted the latter for playtime use).

I've spent six-odd years in a sort of hi-fi counterculture, playing with things like mono cartridges, one-box CD players, and cheap, homemade cables&mdash;and, of course, owning and listening to single-ended triode (SET) amplifiers and horn loudspeakers. But before all that, I owned components that, while more mainstream, did the job just as well in certain ways. That category included solid-state electronics (Naim, BEL, Spectral), dynamic loudspeakers of middling efficiency (ProAc, Epos, Magneplanar), electrostatic loudspeakers of very low efficiency (Stax), and even "high-end" accessories like Tiptoes and <A HREF="http://www.stereophile.com//features/69/">Shun Mook Mpingo discs</A> (which I still have, although my five-year-old daughter has more or less permanently co-opted the latter for playtime use).

I've spent six-odd years in a sort of hi-fi counterculture, playing with things like mono cartridges, one-box CD players, and cheap, homemade cables&mdash;and, of course, owning and listening to single-ended triode (SET) amplifiers and horn loudspeakers. But before all that, I owned components that, while more mainstream, did the job just as well in certain ways. That category included solid-state electronics (Naim, BEL, Spectral), dynamic loudspeakers of middling efficiency (ProAc, Epos, Magneplanar), electrostatic loudspeakers of very low efficiency (Stax), and even "high-end" accessories like Tiptoes and <A HREF="http://www.stereophile.com//features/69/">Shun Mook Mpingo discs</A> (which I still have, although my five-year-old daughter has more or less permanently co-opted the latter for playtime use).

I've spent six-odd years in a sort of hi-fi counterculture, playing with things like mono cartridges, one-box CD players, and cheap, homemade cables&mdash;and, of course, owning and listening to single-ended triode (SET) amplifiers and horn loudspeakers. But before all that, I owned components that, while more mainstream, did the job just as well in certain ways. That category included solid-state electronics (Naim, BEL, Spectral), dynamic loudspeakers of middling efficiency (ProAc, Epos, Magneplanar), electrostatic loudspeakers of very low efficiency (Stax), and even "high-end" accessories like Tiptoes and <A HREF="http://www.stereophile.com//features/69/">Shun Mook Mpingo discs</A> (which I still have, although my five-year-old daughter has more or less permanently co-opted the latter for playtime use).

I've spent six-odd years in a sort of hi-fi counterculture, playing with things like mono cartridges, one-box CD players, and cheap, homemade cables&mdash;and, of course, owning and listening to single-ended triode (SET) amplifiers and horn loudspeakers. But before all that, I owned components that, while more mainstream, did the job just as well in certain ways. That category included solid-state electronics (Naim, BEL, Spectral), dynamic loudspeakers of middling efficiency (ProAc, Epos, Magneplanar), electrostatic loudspeakers of very low efficiency (Stax), and even "high-end" accessories like Tiptoes and <A HREF="http://www.stereophile.com//features/69/">Shun Mook Mpingo discs</A> (which I still have, although my five-year-old daughter has more or less permanently co-opted the latter for playtime use).

Being a metallurgical engineer, I've always been intrigued by audio cables&mdash;their construction, the materials they're made of, how they're produced, and, of course, how all of that relates to their sound. Over the years, I've auditioned a wide range of cables, from Nordost's round conductors in a flat cable, to Alpha-Core's flat cables in a round conductor, to MIT's complex termination systems. I've even got a closet full of cables&mdash;some quite good&mdash;from companies that no longer exist.

Being a metallurgical engineer, I've always been intrigued by audio cables&mdash;their construction, the materials they're made of, how they're produced, and, of course, how all of that relates to their sound. Over the years, I've auditioned a wide range of cables, from Nordost's round conductors in a flat cable, to Alpha-Core's flat cables in a round conductor, to MIT's complex termination systems. I've even got a closet full of cables&mdash;some quite good&mdash;from companies that no longer exist.

Being a metallurgical engineer, I've always been intrigued by audio cables&mdash;their construction, the materials they're made of, how they're produced, and, of course, how all of that relates to their sound. Over the years, I've auditioned a wide range of cables, from Nordost's round conductors in a flat cable, to Alpha-Core's flat cables in a round conductor, to MIT's complex termination systems. I've even got a closet full of cables&mdash;some quite good&mdash;from companies that no longer exist.

Being a metallurgical engineer, I've always been intrigued by audio cables&mdash;their construction, the materials they're made of, how they're produced, and, of course, how all of that relates to their sound. Over the years, I've auditioned a wide range of cables, from Nordost's round conductors in a flat cable, to Alpha-Core's flat cables in a round conductor, to MIT's complex termination systems. I've even got a closet full of cables&mdash;some quite good&mdash;from companies that no longer exist.