2004 Records To Die For Page 6

2004 Records To Die For Page 6

It used to be that, when I sat down to write the introduction to <I>Stereophile</I>'s ever-popular annual "Records To Die For" feature, it quickly became an exercise in racking my meager brain for jokes about "dying for" records. But being funny, in print or otherwise, is tremendously difficult. I'm sure Groucho had a much more apropos, not to mention funny, quip about the trials of being humorous&mdash;but, as with the aforementioned jokes, I can't seem to think of it right now.

2004 Records To Die For Page 5

2004 Records To Die For Page 5

It used to be that, when I sat down to write the introduction to <I>Stereophile</I>'s ever-popular annual "Records To Die For" feature, it quickly became an exercise in racking my meager brain for jokes about "dying for" records. But being funny, in print or otherwise, is tremendously difficult. I'm sure Groucho had a much more apropos, not to mention funny, quip about the trials of being humorous&mdash;but, as with the aforementioned jokes, I can't seem to think of it right now.

2004 Records To Die For Page 4

2004 Records To Die For Page 4

It used to be that, when I sat down to write the introduction to <I>Stereophile</I>'s ever-popular annual "Records To Die For" feature, it quickly became an exercise in racking my meager brain for jokes about "dying for" records. But being funny, in print or otherwise, is tremendously difficult. I'm sure Groucho had a much more apropos, not to mention funny, quip about the trials of being humorous&mdash;but, as with the aforementioned jokes, I can't seem to think of it right now.

2004 Records To Die For Page 3

2004 Records To Die For Page 3

It used to be that, when I sat down to write the introduction to <I>Stereophile</I>'s ever-popular annual "Records To Die For" feature, it quickly became an exercise in racking my meager brain for jokes about "dying for" records. But being funny, in print or otherwise, is tremendously difficult. I'm sure Groucho had a much more apropos, not to mention funny, quip about the trials of being humorous&mdash;but, as with the aforementioned jokes, I can't seem to think of it right now.

2004 Records To Die For Page 2

2004 Records To Die For Page 2

It used to be that, when I sat down to write the introduction to <I>Stereophile</I>'s ever-popular annual "Records To Die For" feature, it quickly became an exercise in racking my meager brain for jokes about "dying for" records. But being funny, in print or otherwise, is tremendously difficult. I'm sure Groucho had a much more apropos, not to mention funny, quip about the trials of being humorous&mdash;but, as with the aforementioned jokes, I can't seem to think of it right now.

2004 Records To Die For

2004 Records To Die For

It used to be that, when I sat down to write the introduction to <I>Stereophile</I>'s ever-popular annual "Records To Die For" feature, it quickly became an exercise in racking my meager brain for jokes about "dying for" records. But being funny, in print or otherwise, is tremendously difficult. I'm sure Groucho had a much more apropos, not to mention funny, quip about the trials of being humorous&mdash;but, as with the aforementioned jokes, I can't seem to think of it right now.

Recording of January 2005: Beethoven: Complete Music for Cello & Piano

Recording of January 2005: Beethoven: Complete Music for Cello & Piano

<B>BEETHOVEN: <I>Complete Music for Cello & Piano</I></B><BR>
Cello & Piano Sonatas: in F, Op.5 No.1; in g, Op.5 No.2; in F, Op.17; in A, Op.69; in C, Op.102 No.1; in D, Op.102 No.2. Variations: in F on Mozart's "Ein M&#228;dchen oder Weibchen," Op.66; in E-flat on Mozart's "Bei M&#228;nnern," WoO 46; in G on Handel's "See, the Conquering Hero Comes," WoO 45<BR>
Andr&#225;s Schiff, piano; Mikl&#243;s Per&#233;nyi, cello<BR>
ECM New Series 1819/20, B00003389-02 (2 CDs). 2004. Manfred Eicher, exec. prod.; Stephan Schellmann, eng. DDD. TT: 2:31:19<BR>
Performance <B>****&#189;</B><BR>
Sonics <B>****</B><BR>

Have you ever heard an audio system that faithfully reproduced the sound of real, live musicians? What was it?

Category

Faithfully reproducing the sound of real, live musicians in our listening rooms is the audiophile Holy Grail. Have you ever heard a system do this? If so, what was it?

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