Back in the late 1980s, when I was writing for <I>The Abso!ute Sound</I> and couldn't afford any of the audio gear I was reviewing, my system consisted of an Oracle turntable with Magnepan unipivot arm, a pair of <A HREF="http://www.stereophile.com/loudspeakerreviews/446">Spica TC-50</A> loudspeakers, and a heavily modified Hafler DH-200 power amp and DH-101 preamp. It was a fun system that imaged like hell, but my fondest audio memories of that time were of visiting fellow <I>TAS</I> reviewer Dr. Michael Gindi, who lived on Manhattan's West End Avenue, and listening to his mbl speakers. (With his shrink's paycheck, he could afford them.)

Back in the late 1980s, when I was writing for <I>The Abso!ute Sound</I> and couldn't afford any of the audio gear I was reviewing, my system consisted of an Oracle turntable with Magnepan unipivot arm, a pair of <A HREF="http://www.stereophile.com/loudspeakerreviews/446">Spica TC-50</A> loudspeakers, and a heavily modified Hafler DH-200 power amp and DH-101 preamp. It was a fun system that imaged like hell, but my fondest audio memories of that time were of visiting fellow <I>TAS</I> reviewer Dr. Michael Gindi, who lived on Manhattan's West End Avenue, and listening to his mbl speakers. (With his shrink's paycheck, he could afford them.)

Back in the late 1980s, when I was writing for The Abso!ute Sound and couldn't afford any of the audio gear I was reviewing, my system consisted of an Oracle turntable with Magnepan unipivot arm, a pair of Spica TC-50 loudspeakers, and a heavily modified Hafler DH-200 power amp and DH-101 preamp. It was a fun system that imaged like hell, but my fondest audio memories of that time were of visiting fellow TAS reviewer Dr. Michael Gindi, who lived on Manhattan's West End Avenue, and listening to his mbl speakers. (With his shrink's paycheck, he could afford them.)

Back in the late 1980s, when I was writing for <I>The Abso!ute Sound</I> and couldn't afford any of the audio gear I was reviewing, my system consisted of an Oracle turntable with Magnepan unipivot arm, a pair of <A HREF="http://www.stereophile.com/loudspeakerreviews/446">Spica TC-50</A> loudspeakers, and a heavily modified Hafler DH-200 power amp and DH-101 preamp. It was a fun system that imaged like hell, but my fondest audio memories of that time were of visiting fellow <I>TAS</I> reviewer Dr. Michael Gindi, who lived on Manhattan's West End Avenue, and listening to his mbl speakers. (With his shrink's paycheck, he could afford them.)

Back in the late 1980s, when I was writing for The Abso!ute Sound and couldn't afford any of the audio gear I was reviewing, my system consisted of an Oracle turntable with Magnepan unipivot arm, a pair of Spica TC-50 loudspeakers, and a heavily modified Hafler DH-200 power amp and DH-101 preamp. It was a fun system that imaged like hell, but my fondest audio memories of that time were of visiting fellow TAS reviewer Dr. Michael Gindi, who lived on Manhattan's West End Avenue, and listening to his mbl speakers. (With his shrink's paycheck, he could afford them.)

From the October 2004 issue, John Atkinson reviews the <A HREF="http://www.stereophile.com/amplificationreviews/1004halcro">Halcro dm38 power amplifier</A>, noting, "When Halcro's affable US distributor, Philip O'Hanlon, asked me if I would be interested in reviewing the company's first two-channel design, the $18,790 dm38, I didn't need much persuading."

Skyrocketing ticket prices kept summer concertgoers away in droves, according to reports in the entertainment industry and financial press in mid-October. The summer 2004 concert season was one of the slowest ever, with some superstars canceling shows and others moving planned arena or amphitheater events into smaller venues. Previously one of the summer's most popular events, the Lollapalooza tour was cancelled due to slow ticket sales.

The iPod is being very good to Apple Computer.

<I>Stereophile</I> readers may wonder why we regularly report on a low-fi music distribution service like iTunes. The reason is simple: What becomes popular in the mass market today, is what audiophiles will have to squeeze high-end music out of tomorrow.

Both Macrovision and Sunncomm have been releasing technologies aimed at restricting how consumers can use their legally purchased music and movies. Add <A HREF="http://www.dmsNT.com/">Dynamic Media Solutions</A> to the pack.