Red Shift: Doppler distortion in loudspeakers Keith Howard returns to DiAural

Red Shift: Doppler distortion in loudspeakers Keith Howard returns to DiAural

In the world of digital audio, jitter has been a focus of audiophile attention for well over a decade. It is blamed for many of the sonic ills of which CD and other digital media have been accused. But here's a puzzle: The major source of frequency intermodulation distortion in audio systems—the loudspeaker—has largely escaped such withering inquiry. Why?

Red Shift: Doppler distortion in loudspeakers Doppler and DiAural

Red Shift: Doppler distortion in loudspeakers Doppler and DiAural

In the world of digital audio, jitter has been a focus of audiophile attention for well over a decade. It is blamed for many of the sonic ills of which CD and other digital media have been accused. But here's a puzzle: The major source of frequency intermodulation distortion in audio systems—the loudspeaker—has largely escaped such withering inquiry. Why?

Red Shift: Doppler distortion in loudspeakers Page 3

Red Shift: Doppler distortion in loudspeakers Page 3

In the world of digital audio, jitter has been a focus of audiophile attention for well over a decade. It is blamed for many of the sonic ills of which CD and other digital media have been accused. But here's a puzzle: The major source of frequency intermodulation distortion in audio systems—the loudspeaker—has largely escaped such withering inquiry. Why?

Red Shift: Doppler distortion in loudspeakers Page 2

Red Shift: Doppler distortion in loudspeakers Page 2

In the world of digital audio, jitter has been a focus of audiophile attention for well over a decade. It is blamed for many of the sonic ills of which CD and other digital media have been accused. But here's a puzzle: The major source of frequency intermodulation distortion in audio systems—the loudspeaker—has largely escaped such withering inquiry. Why?

Red Shift: Doppler distortion in loudspeakers

Red Shift: Doppler distortion in loudspeakers

In the world of digital audio, jitter has been a focus of audiophile attention for well over a decade. It is blamed for many of the sonic ills of which CD and other digital media have been accused. But here's a puzzle: The major source of frequency intermodulation distortion in audio systems—the loudspeaker—has largely escaped such withering inquiry. Why?

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