"So what kind of music do <I>you</I> listen to?" I heard myself asking Leif M&#229;rten Olofsson, designer of the Coltrane, Coltrane Alto, Duke, Miles II, Mingus III, and Monk loudspeakers, before I could take it back. The small company, headquartered in G&#246;teborg, Sweden, where Volvos are made, has been building and marketing loudspeakers for the past six years, though Olofsson confesses he's been building them for 30 years, ever since he was 12.

"So what kind of music do <I>you</I> listen to?" I heard myself asking Leif M&#229;rten Olofsson, designer of the Coltrane, Coltrane Alto, Duke, Miles II, Mingus III, and Monk loudspeakers, before I could take it back. The small company, headquartered in G&#246;teborg, Sweden, where Volvos are made, has been building and marketing loudspeakers for the past six years, though Olofsson confesses he's been building them for 30 years, ever since he was 12.

"So what kind of music do <I>you</I> listen to?" I heard myself asking Leif M&#229;rten Olofsson, designer of the Coltrane, Coltrane Alto, Duke, Miles II, Mingus III, and Monk loudspeakers, before I could take it back. The small company, headquartered in G&#246;teborg, Sweden, where Volvos are made, has been building and marketing loudspeakers for the past six years, though Olofsson confesses he's been building them for 30 years, ever since he was 12.

"So what kind of music do <I>you</I> listen to?" I heard myself asking Leif M&#229;rten Olofsson, designer of the Coltrane, Coltrane Alto, Duke, Miles II, Mingus III, and Monk loudspeakers, before I could take it back. The small company, headquartered in G&#246;teborg, Sweden, where Volvos are made, has been building and marketing loudspeakers for the past six years, though Olofsson confesses he's been building them for 30 years, ever since he was 12.

"So what kind of music do <I>you</I> listen to?" I heard myself asking Leif M&#229;rten Olofsson, designer of the Coltrane, Coltrane Alto, Duke, Miles II, Mingus III, and Monk loudspeakers, before I could take it back. The small company, headquartered in G&#246;teborg, Sweden, where Volvos are made, has been building and marketing loudspeakers for the past six years, though Olofsson confesses he's been building them for 30 years, ever since he was 12.

The "Reference" designation is thrown around a lot in the world of perfectionist audio. It's most often used to elevate the top of the line to a higher perceived status. Occasionally, as in the case of the <A HREF="http://www.stereophile.com/amplificationreviews/938">VTL TL-7.5</A> line stage that I reviewed in October 2003, it genuinely denominates a component that is clearly superior to its competition in most aspects of performance.

The "Reference" designation is thrown around a lot in the world of perfectionist audio. It's most often used to elevate the top of the line to a higher perceived status. Occasionally, as in the case of the <A HREF="http://www.stereophile.com/amplificationreviews/938">VTL TL-7.5</A> line stage that I reviewed in October 2003, it genuinely denominates a component that is clearly superior to its competition in most aspects of performance.

The "Reference" designation is thrown around a lot in the world of perfectionist audio. It's most often used to elevate the top of the line to a higher perceived status. Occasionally, as in the case of the <A HREF="http://www.stereophile.com/amplificationreviews/938">VTL TL-7.5</A> line stage that I reviewed in October 2003, it genuinely denominates a component that is clearly superior to its competition in most aspects of performance.

The "Reference" designation is thrown around a lot in the world of perfectionist audio. It's most often used to elevate the top of the line to a higher perceived status. Occasionally, as in the case of the <A HREF="http://www.stereophile.com/amplificationreviews/938">VTL TL-7.5</A> line stage that I reviewed in October 2003, it genuinely denominates a component that is clearly superior to its competition in most aspects of performance.

The "Reference" designation is thrown around a lot in the world of perfectionist audio. It's most often used to elevate the top of the line to a higher perceived status. Occasionally, as in the case of the VTL TL-7.5 line stage that I reviewed in October 2003, it genuinely denominates a component that is clearly superior to its competition in most aspects of performance.