All the action in digital playback for the past seven years has taken place in separate transports and digital processors. Nearly all high-end manufacturers have focused their skills on perfecting the individual elements of the digital playback chain—transports and processors—rather than on designing integrated CD players.

All the action in digital playback for the past seven years has taken place in separate transports and digital processors. Nearly all high-end manufacturers have focused their skills on perfecting the individual elements of the digital playback chain—transports and processors—rather than on designing integrated CD players.

All the action in digital playback for the past seven years has taken place in separate transports and digital processors. Nearly all high-end manufacturers have focused their skills on perfecting the individual elements of the digital playback chain—transports and processors—rather than on designing integrated CD players.

All the action in digital playback for the past seven years has taken place in separate transports and digital processors. Nearly all high-end manufacturers have focused their skills on perfecting the individual elements of the digital playback chain—transports and processors—rather than on designing integrated CD players.

MartinLogan's <A HREF="http://stereophile.com/loudspeakerreviews/145/index7.html">Gayle Sanders</A> has almost single-handedly raised the electrostatic/dynamic hybrid loudspeaker to a position of prominence in the High End. First, there was the MartinLogan Monolith (reviewed in Vol.8 No.3 and Vol.9 No.3), followed by the much more affordable Sequel (reviewed in Vol.11 No.12, Vol.12 Nos.8, 9, and 12, and Vol.14 No.2). Then came the subject of this review, the Quest, and most recently the diminutive Aerius, <A HREF="http://www.stereophile.com/loudspeakerreviews/312">reviewed by JA</A> elsewhere in this issue.

MartinLogan's <A HREF="http://stereophile.com/loudspeakerreviews/145/index7.html">Gayle Sanders</A> has almost single-handedly raised the electrostatic/dynamic hybrid loudspeaker to a position of prominence in the High End. First, there was the MartinLogan Monolith (reviewed in Vol.8 No.3 and Vol.9 No.3), followed by the much more affordable Sequel (reviewed in Vol.11 No.12, Vol.12 Nos.8, 9, and 12, and Vol.14 No.2). Then came the subject of this review, the Quest, and most recently the diminutive Aerius, <A HREF="http://www.stereophile.com/loudspeakerreviews/312">reviewed by JA</A> elsewhere in this issue.

MartinLogan's <A HREF="http://stereophile.com/loudspeakerreviews/145/index7.html">Gayle Sanders</A> has almost single-handedly raised the electrostatic/dynamic hybrid loudspeaker to a position of prominence in the High End. First, there was the MartinLogan Monolith (reviewed in Vol.8 No.3 and Vol.9 No.3), followed by the much more affordable Sequel (reviewed in Vol.11 No.12, Vol.12 Nos.8, 9, and 12, and Vol.14 No.2). Then came the subject of this review, the Quest, and most recently the diminutive Aerius, <A HREF="http://www.stereophile.com/loudspeakerreviews/312">reviewed by JA</A> elsewhere in this issue.

MartinLogan's <A HREF="http://stereophile.com/loudspeakerreviews/145/index7.html">Gayle Sanders</A> has almost single-handedly raised the electrostatic/dynamic hybrid loudspeaker to a position of prominence in the High End. First, there was the MartinLogan Monolith (reviewed in Vol.8 No.3 and Vol.9 No.3), followed by the much more affordable Sequel (reviewed in Vol.11 No.12, Vol.12 Nos.8, 9, and 12, and Vol.14 No.2). Then came the subject of this review, the Quest, and most recently the diminutive Aerius, <A HREF="http://www.stereophile.com/loudspeakerreviews/312">reviewed by JA</A> elsewhere in this issue.

MartinLogan's <A HREF="http://stereophile.com/loudspeakerreviews/145/index7.html">Gayle Sanders</A> has almost single-handedly raised the electrostatic/dynamic hybrid loudspeaker to a position of prominence in the High End. First, there was the MartinLogan Monolith (reviewed in Vol.8 No.3 and Vol.9 No.3), followed by the much more affordable Sequel (reviewed in Vol.11 No.12, Vol.12 Nos.8, 9, and 12, and Vol.14 No.2). Then came the subject of this review, the Quest, and most recently the diminutive Aerius, <A HREF="http://www.stereophile.com/loudspeakerreviews/312">reviewed by JA</A> elsewhere in this issue.

Just look at the dates and you'll see a legacy that essentially spans the entire history of electrical music reproduction. That's fitting. In his career&mdash;or more properly, many careers&mdash;Irving M. ("Bud") Fried all but embodied that era.