"I want you to review an amplifier," John Atkinson said.

"I want you to review an amplifier," John Atkinson said.

"I want you to review an amplifier," John Atkinson said.

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

One of my fondest memories of CES 2005 was spending a spare (well, technically, <I>stolen</I>) hour in T+A's room, listening to the German company's $4500 SACD-1245 CD/SACD player through T+A's $8500 V-10 integrated amplifier and a pair of Amphion's $1150/pair Helium two-way loudspeakers. Accordingly, when Quartet Marketing's Stirling Trayle called me to announce that he was in New York with the first sample of T+A's new tubed $9500 D-10 CD/SACD player, I was eager to hear it.