"You're reviewing a <I>class-D</I> amplifier?" whined John Atkinson. "I <I>hate</I> measuring those."

"You're reviewing a <I>class-D</I> amplifier?" whined John Atkinson. "I <I>hate</I> measuring those."

"The realistic reproduction of orchestral music in an average room requires peak power capabilities of the order of 15 to 20W when the electro-acoustic transducer is a baffle-loaded moving-coil loudspeaker of normal efficiency."
&mdash;<A HREF="http://www.stereophile.com/news/121503walker/index.html">Peter Walker</A> and D.T.N. Williamson, writing in the <I>Journal of the Audio Engineering Society </I>in 1954

"The realistic reproduction of orchestral music in an average room requires peak power capabilities of the order of 15 to 20W when the electro-acoustic transducer is a baffle-loaded moving-coil loudspeaker of normal efficiency."
&mdash;<A HREF="http://www.stereophile.com/news/121503walker/index.html">Peter Walker</A> and D.T.N. Williamson, writing in the <I>Journal of the Audio Engineering Society </I>in 1954

"The realistic reproduction of orchestral music in an average room requires peak power capabilities of the order of 15 to 20W when the electro-acoustic transducer is a baffle-loaded moving-coil loudspeaker of normal efficiency."
&mdash;<A HREF="http://www.stereophile.com/news/121503walker/index.html">Peter Walker</A> and D.T.N. Williamson, writing in the <I>Journal of the Audio Engineering Society </I>in 1954

"The realistic reproduction of orchestral music in an average room requires peak power capabilities of the order of 15 to 20W when the electro-acoustic transducer is a baffle-loaded moving-coil loudspeaker of normal efficiency."
&mdash;<A HREF="http://www.stereophile.com/news/121503walker/index.html">Peter Walker</A> and D.T.N. Williamson, writing in the <I>Journal of the Audio Engineering Society </I>in 1954

"The realistic reproduction of orchestral music in an average room requires peak power capabilities of the order of 15 to 20W when the electro-acoustic transducer is a baffle-loaded moving-coil loudspeaker of normal efficiency."
&mdash;<A HREF="http://www.stereophile.com/news/121503walker/index.html">Peter Walker</A> and D.T.N. Williamson, writing in the <I>Journal of the Audio Engineering Society </I>in 1954

When no one's watching, it's easy to express your opinion. When tens of thousands of people are reading over your shoulder, it becomes more difficult. In fact, it can be downright creepy&mdash;especially when what you're thinking sounds like one of those grand, all-encompassing (over)statements you yourself tend to distrust. You don't want to be wrong; on the other hand, if you're too much of a wuss to express what you <I>really</I>think just because someone might take it as grandiose, then it's time to give up.

When no one's watching, it's easy to express your opinion. When tens of thousands of people are reading over your shoulder, it becomes more difficult. In fact, it can be downright creepy&mdash;especially when what you're thinking sounds like one of those grand, all-encompassing (over)statements you yourself tend to distrust. You don't want to be wrong; on the other hand, if you're too much of a wuss to express what you <I>really</I>think just because someone might take it as grandiose, then it's time to give up.

When no one's watching, it's easy to express your opinion. When tens of thousands of people are reading over your shoulder, it becomes more difficult. In fact, it can be downright creepy&mdash;especially when what you're thinking sounds like one of those grand, all-encompassing (over)statements you yourself tend to distrust. You don't want to be wrong; on the other hand, if you're too much of a wuss to express what you <I>really</I>think just because someone might take it as grandiose, then it's time to give up.