Tetra Speakers may not be a familiar name to many US audiophiles. Based in Ottawa, Ontario, the company has been around for a decade, but has taken a slow and steady approach to building its visibility in the insanely competitive and trend-conscious world of high-end loudspeakers.

Tetra Speakers may not be a familiar name to many US audiophiles. Based in Ottawa, Ontario, the company has been around for a decade, but has taken a slow and steady approach to building its visibility in the insanely competitive and trend-conscious world of high-end loudspeakers.

Tetra Speakers may not be a familiar name to many US audiophiles. Based in Ottawa, Ontario, the company has been around for a decade, but has taken a slow and steady approach to building its visibility in the insanely competitive and trend-conscious world of high-end loudspeakers.

Tetra Speakers may not be a familiar name to many US audiophiles. Based in Ottawa, Ontario, the company has been around for a decade, but has taken a slow and steady approach to building its visibility in the insanely competitive and trend-conscious world of high-end loudspeakers.

The first epiphany I experienced in blind audio testing took place in the Dunfey San Mateo Hotel, in Northern California. We were stuffed into a largish, well-lit room in which dozens of listeners sat in chairs, and others stood around the back or sat on the floor. Up front were two large <A HREF="http://www.stereophile.com/loudspeakerreviews/506">B&W Matrix 801</A> speakers on tall stands spaced far apart, behind them, opaque curtains hid a small pile of audio equipment. John Atkinson and Will Hammond stood at stage left.

The first epiphany I experienced in blind audio testing took place in the Dunfey San Mateo Hotel, in Northern California. We were stuffed into a largish, well-lit room in which dozens of listeners sat in chairs, and others stood around the back or sat on the floor. Up front were two large <A HREF="http://www.stereophile.com/loudspeakerreviews/506">B&W Matrix 801</A> speakers on tall stands spaced far apart, behind them, opaque curtains hid a small pile of audio equipment. John Atkinson and Will Hammond stood at stage left.

<B>JOHN PRINE: <I>Fair & Square</I></B><BR>
Oh Boy OBR-034 (CD). 2005. John Prine, prod.; Gary Paczosa, prod., eng.; Thomas<BR>
Johnson, Brandon Bell, asst. engs. AAD? TT: 62:16<BR>
Performance ****&#189;<BR>
Sonics ****&#189;

The last couple of years have been a bumpy ride for <A HREF="http://referencerecordings.com/">Reference Recordings</A>. The company's troubles began two years ago this week when it was <A HREF="http://www.stereophile.com/news/11719/index.html">announced</A&gt; that it had been acquired by The Dorian Group after more than 25 years as an independent label dedicated to audiophile sonics.

<I>New cable:</I> <A HREF="http://www.rivercable.com">River Cable</A> has announced a new speaker cable called Flexygy 8, which employs eight conductors in a flat, flexible topology with "tremendous amounts of copper." Boasting a "unique ratio of low resistance-to-capacitance," Flexygy 8's capacitance is rated at 10pF/ft. Additionally, Flexygy 8 is touted as "an installation dream, [it goes] under carpets, along baseboards, with a super flexibility that can’t be beat in a cable with an aggregate AWG of 7."

Ibrahim Ferrer, one of the best-known practitioners of the Cuban vocal music known as <I>son</I>, died in Havana on August 6 of multiple organ failure. He had returned, ill, from a European tour several days previously, and then been hospitalized.