I have a theory about "showing off" systems. I call it <I>Zen and the Art of Keeping Your Yap Shut</I>. Think about it: what's the first thing that pops into your head when someone tells you how great their system sounds? "Yeah, <I>right!</I>"

I have a theory about "showing off" systems. I call it <I>Zen and the Art of Keeping Your Yap Shut</I>. Think about it: what's the first thing that pops into your head when someone tells you how great their system sounds? "Yeah, <I>right!</I>"

I have a theory about "showing off" systems. I call it <I>Zen and the Art of Keeping Your Yap Shut</I>. Think about it: what's the first thing that pops into your head when someone tells you how great their system sounds? "Yeah, <I>right!</I>"

I have a theory about "showing off" systems. I call it <I>Zen and the Art of Keeping Your Yap Shut</I>. Think about it: what's the first thing that pops into your head when someone tells you how great their system sounds? "Yeah, <I>right!</I>"

I have a theory about "showing off" systems. I call it <I>Zen and the Art of Keeping Your Yap Shut</I>. Think about it: what's the first thing that pops into your head when someone tells you how great their system sounds? "Yeah, <I>right!</I>"

Most <I>Stereophile</I> readers are aware by now of why the full-range electrostatic should, in theory, be the ideal transducer. (If you aren't aware, see the accompanying sidebar.) Acoustat was the first manufacturer to design a full-range electrostatic that was so indestructible it came with a lifetime warranty. (MartinLogan is now offering a three-year warranty on their speakers, and is considering going to a lifetime warranty). But Acoustat was never able to solve another problem that has plagued all flat-panel speakers: treble beaming.

Most <I>Stereophile</I> readers are aware by now of why the full-range electrostatic should, in theory, be the ideal transducer. (If you aren't aware, see the accompanying sidebar.) Acoustat was the first manufacturer to design a full-range electrostatic that was so indestructible it came with a lifetime warranty. (MartinLogan is now offering a three-year warranty on their speakers, and is considering going to a lifetime warranty). But Acoustat was never able to solve another problem that has plagued all flat-panel speakers: treble beaming.

Most <I>Stereophile</I> readers are aware by now of why the full-range electrostatic should, in theory, be the ideal transducer. (If you aren't aware, see the accompanying sidebar.) Acoustat was the first manufacturer to design a full-range electrostatic that was so indestructible it came with a lifetime warranty. (MartinLogan is now offering a three-year warranty on their speakers, and is considering going to a lifetime warranty). But Acoustat was never able to solve another problem that has plagued all flat-panel speakers: treble beaming.

Most Stereophile readers are aware by now of why the full-range electrostatic should, in theory, be the ideal transducer. (If you aren't aware, see the accompanying sidebar.) Acoustat was the first manufacturer to design a full-range electrostatic that was so indestructible it came with a lifetime warranty. (MartinLogan is now offering a three-year warranty on their speakers, and is considering going to a lifetime warranty). But Acoustat was never able to solve another problem that has plagued all flat-panel speakers: treble beaming.

"This is offensive!" muttered usually mild-mannered Malcolm Hawksford, who was sitting next to me. "I'm leaving." The good professor was right. One thousand or so attendees at the 103rd Audio Engineering Society Convention, held at the end of September in New York, were being subjected to truly terrible sound. The irony was that the sound was that of 2- and 5-channel recordings made with 24-bit resolution and a 96kHz sampling rate, being played over a colored PA system to demonstrate the future of audio, in the form of DVD-Audio.