It's been a while since the <I>Stereophile</I> website was freshened up. Probably too long. So this time we decided to start from scratch and combine the stack of reader suggestions we've received with the thousands of articles and other features already online to create something that we hope scratches your audiophile itch better than ever.

<I>Imerge merged:</I> Linear, LLC (Carlsbad, CA, USA) has acquired Imerge, Ltd. (Cambridge, UK), one of Europe's top providers of Internet-connected, hard disk-based audio products and media appliances. (Imerge's relational XiVA-Link database software is used in such products as the <A HREF="http://www.stereophile.com/digitalsourcereviews/497">Linn Kivor</A> media server.) Linear is best known for its engineered radio-frequency (RF) products and as a major supplier of wireless residential security systems, intercoms, garage door operators, gate operators, short- and long-range radio remote controls, and medical/emergency reporting systems. In recent years the company, through acquisition, has expanded into consumer electronics, home entertainment products, and structured wiring systems for the builder market. Imerge will join Linear's Home Technology Group.

<I>Warner's new e-label:</I> In an announcement datelined "Aspen, CO," many news services reported, Warner Music Group chairman and CEO Edgar Bronfman, Jr. introduced a new Internet music distribution system called an "e-label," which would eschew CDs by allowing artists to issue their music in clusters of three songs every few months.

<B>Editor's Note: </B><I>The matter of whether&mdash;and if so, how&mdash;speaker cables and interconnects can affect the sound of an audio system has vexed the audiophile community since Jean Hiraga, Robert Fulton, and others first made us aware of the subject in the mid-1970s. Most of the arguments since then have involved a great deal of heat but not much light. Back in August 1985, Professor Malcolm Omar Hawksford Ph.D (of the UK's University of Essex and a Fellow of the Audio Engineering Society) wrote an article for the British magazine </I>Hi-Fi News & Record Review<I>, of which I was then Editor, in which he examined AC signal transmission from first principles. Among his conclusions was the indication that there is an optimal conductor diameter for audio-signal transmission, something that I imagined might lead to something of a conciliation between the two sides in the debate. Or at least when a skeptic proclaimed that "The Laws of Physics" don't allow for cables to affect audio performance, it could be gently pointed out to him or her that "The Laws of Physics" predict exactly the opposite.

<B>Editor's Note: </B><I>The matter of whether&mdash;and if so, how&mdash;speaker cables and interconnects can affect the sound of an audio system has vexed the audiophile community since Jean Hiraga, Robert Fulton, and others first made us aware of the subject in the mid-1970s. Most of the arguments since then have involved a great deal of heat but not much light. Back in August 1985, Professor Malcolm Omar Hawksford Ph.D (of the UK's University of Essex and a Fellow of the Audio Engineering Society) wrote an article for the British magazine </I>Hi-Fi News & Record Review<I>, of which I was then Editor, in which he examined AC signal transmission from first principles. Among his conclusions was the indication that there is an optimal conductor diameter for audio-signal transmission, something that I imagined might lead to something of a conciliation between the two sides in the debate. Or at least when a skeptic proclaimed that "The Laws of Physics" don't allow for cables to affect audio performance, it could be gently pointed out to him or her that "The Laws of Physics" predict exactly the opposite.

<B>Editor's Note: </B><I>The matter of whether&mdash;and if so, how&mdash;speaker cables and interconnects can affect the sound of an audio system has vexed the audiophile community since Jean Hiraga, Robert Fulton, and others first made us aware of the subject in the mid-1970s. Most of the arguments since then have involved a great deal of heat but not much light. Back in August 1985, Professor Malcolm Omar Hawksford Ph.D (of the UK's University of Essex and a Fellow of the Audio Engineering Society) wrote an article for the British magazine </I>Hi-Fi News & Record Review<I>, of which I was then Editor, in which he examined AC signal transmission from first principles. Among his conclusions was the indication that there is an optimal conductor diameter for audio-signal transmission, something that I imagined might lead to something of a conciliation between the two sides in the debate. Or at least when a skeptic proclaimed that "The Laws of Physics" don't allow for cables to affect audio performance, it could be gently pointed out to him or her that "The Laws of Physics" predict exactly the opposite.

<B>Editor's Note: </B><I>The matter of whether&mdash;and if so, how&mdash;speaker cables and interconnects can affect the sound of an audio system has vexed the audiophile community since Jean Hiraga, Robert Fulton, and others first made us aware of the subject in the mid-1970s. Most of the arguments since then have involved a great deal of heat but not much light. Back in August 1985, Professor Malcolm Omar Hawksford Ph.D (of the UK's University of Essex and a Fellow of the Audio Engineering Society) wrote an article for the British magazine </I>Hi-Fi News & Record Review<I>, of which I was then Editor, in which he examined AC signal transmission from first principles. Among his conclusions was the indication that there is an optimal conductor diameter for audio-signal transmission, something that I imagined might lead to something of a conciliation between the two sides in the debate. Or at least when a skeptic proclaimed that "The Laws of Physics" don't allow for cables to affect audio performance, it could be gently pointed out to him or her that "The Laws of Physics" predict exactly the opposite.

<B>Editor's Note: </B><I>The matter of whether&mdash;and if so, how&mdash;speaker cables and interconnects can affect the sound of an audio system has vexed the audiophile community since Jean Hiraga, Robert Fulton, and others first made us aware of the subject in the mid-1970s. Most of the arguments since then have involved a great deal of heat but not much light. Back in August 1985, Professor Malcolm Omar Hawksford Ph.D (of the UK's University of Essex and a Fellow of the Audio Engineering Society) wrote an article for the British magazine </I>Hi-Fi News & Record Review<I>, of which I was then Editor, in which he examined AC signal transmission from first principles. Among his conclusions was the indication that there is an optimal conductor diameter for audio-signal transmission, something that I imagined might lead to something of a conciliation between the two sides in the debate. Or at least when a skeptic proclaimed that "The Laws of Physics" don't allow for cables to affect audio performance, it could be gently pointed out to him or her that "The Laws of Physics" predict exactly the opposite.