On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvorák's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvorák's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvorák's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvorák's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvorák's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvorák's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

The introduction in 1982 of the compact disc ushered in the age of digital audio. Audiophiles now have lots of new digital toys and technologies at their disposal, including SACD, DVD-Audio, MP3 players, hard-drive–based CD players, and digital equalization and room correction, to name a few. Videophiles have similarly benefited from digital technology, with an armamentarium that includes high-definition television, DVD-Video, Blu-ray, HD DVD (the latter two still on the horizon), DLP, LCoS, and D-ILA, among others. Action-based films have also benefited from breathtaking, digitally enhanced special effects. Even those of us who still prefer LPs must acknowledge—reluctantly, perhaps—the incredible impact that digital has had on our hobby (footnote 1).

The introduction in 1982 of the compact disc ushered in the age of digital audio. Audiophiles now have lots of new digital toys and technologies at their disposal, including SACD, DVD-Audio, MP3 players, hard-drive–based CD players, and digital equalization and room correction, to name a few. Videophiles have similarly benefited from digital technology, with an armamentarium that includes high-definition television, DVD-Video, Blu-ray, HD DVD (the latter two still on the horizon), DLP, LCoS, and D-ILA, among others. Action-based films have also benefited from breathtaking, digitally enhanced special effects. Even those of us who still prefer LPs must acknowledge—reluctantly, perhaps—the incredible impact that digital has had on our hobby (footnote 1).

The introduction in 1982 of the compact disc ushered in the age of digital audio. Audiophiles now have lots of new digital toys and technologies at their disposal, including SACD, DVD-Audio, MP3 players, hard-drive–based CD players, and digital equalization and room correction, to name a few. Videophiles have similarly benefited from digital technology, with an armamentarium that includes high-definition television, DVD-Video, Blu-ray, HD DVD (the latter two still on the horizon), DLP, LCoS, and D-ILA, among others. Action-based films have also benefited from breathtaking, digitally enhanced special effects. Even those of us who still prefer LPs must acknowledge—reluctantly, perhaps—the incredible impact that digital has had on our hobby (footnote 1).

The introduction in 1982 of the compact disc ushered in the age of digital audio. Audiophiles now have lots of new digital toys and technologies at their disposal, including SACD, DVD-Audio, MP3 players, hard-drive–based CD players, and digital equalization and room correction, to name a few. Videophiles have similarly benefited from digital technology, with an armamentarium that includes high-definition television, DVD-Video, Blu-ray, HD DVD (the latter two still on the horizon), DLP, LCoS, and D-ILA, among others. Action-based films have also benefited from breathtaking, digitally enhanced special effects. Even those of us who still prefer LPs must acknowledge—reluctantly, perhaps—the incredible impact that digital has had on our hobby (footnote 1).