A proper speaker installation can take a full day and sometimes part of a second, even in a familiar room. But by the time the sun sets on Day One, the system should be almost there&mdash;wherever <I>there</I> is.

A proper speaker installation can take a full day and sometimes part of a second, even in a familiar room. But by the time the sun sets on Day One, the system should be almost there&mdash;wherever <I>there</I> is.

A proper speaker installation can take a full day and sometimes part of a second, even in a familiar room. But by the time the sun sets on Day One, the system should be almost there&mdash;wherever <I>there</I> is.

A proper speaker installation can take a full day and sometimes part of a second, even in a familiar room. But by the time the sun sets on Day One, the system should be almost there&mdash;wherever <I>there</I> is.

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvor&#225;k's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvor&#225;k's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvor&#225;k's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvor&#225;k's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvor&#225;k's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvor&#225;k's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?