I recently had a house guest who is a music lover and amateur pianist but who had never heard of the SACD or DVD-Audio formats. I explained what they were and demonstrated examples of both, to his amazement. He then blew them off, saying that my system <I>always</I> sounds great and that the average person couldn't or wouldn't afford the kind of equipment I have. But when I told him that there were universal players available for less than $200 at retail and that, in fact, the player I was using was based on a transport drawn from a similar mass-market product, his interest was piqued. Of course, I didn't emphasize that one's expectations may not be the same, or that the boys designing the high-end stuff do make it sound different and, usually, much better. Heck, I'll do whatever I can to hook a music lover on these new formats, even if their future is uncertain. Once he's hooked, audiophilia will have him forever.

A proper speaker installation can take a full day and sometimes part of a second, even in a familiar room. But by the time the sun sets on Day One, the system should be almost there&mdash;wherever <I>there</I> is.

A proper speaker installation can take a full day and sometimes part of a second, even in a familiar room. But by the time the sun sets on Day One, the system should be almost there&mdash;wherever <I>there</I> is.

A proper speaker installation can take a full day and sometimes part of a second, even in a familiar room. But by the time the sun sets on Day One, the system should be almost there&mdash;wherever <I>there</I> is.

A proper speaker installation can take a full day and sometimes part of a second, even in a familiar room. But by the time the sun sets on Day One, the system should be almost there&mdash;wherever <I>there</I> is.

A proper speaker installation can take a full day and sometimes part of a second, even in a familiar room. But by the time the sun sets on Day One, the system should be almost there&mdash;wherever <I>there</I> is.

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvor&#225;k's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvor&#225;k's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvor&#225;k's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?

On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvor&#225;k's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?