The Bozak Concert Grand is a loudspeaker dreams are made of. I was just a boy, but I remember to this day the impressive pictures of them in <I>Audio</I> magazine. I thought they must be the best loudspeakers ever made because they were so <I>big</I>&mdash;they would let more of the music come out. I suspect the Bozaks beckoned to me in some primal way, just as those giant construction trucks do&mdash;the ones that have tires bigger than a man.

The Bozak Concert Grand is a loudspeaker dreams are made of. I was just a boy, but I remember to this day the impressive pictures of them in <I>Audio</I> magazine. I thought they must be the best loudspeakers ever made because they were so <I>big</I>&mdash;they would let more of the music come out. I suspect the Bozaks beckoned to me in some primal way, just as those giant construction trucks do&mdash;the ones that have tires bigger than a man.

Although you're reading this in October, I had to write it in the middle of summer's dog days&mdash;what Washington journalists used to call "the silly season," not so much because there's anything inherently funny about August, but because, in pre-AC DC, all the legislators went home then to escape the heat and humidity, leaving the press corps with little to write about other than "man bites dog" stories.

<B>THELONIOUS MONK QUARTET WITH JOHN COLTRANE: <I>At Carnegie Hall</I></B><BR>
John Coltrane, tenor sax; Thelonious Monk, piano; Ahmed Abdul-Malik, bass; Shadow Wilson, drums<BR>
Thelonious/Blue Note 35173 (CD). 2005. Michael Cuscuna, T.S. Monk, prods.; unknown eng. AAD. TT: 51:36<BR>
Performance <B>*****</B><BR>
Sonics <B>***</B>

I was thinking about it this morning, and yes: a blog is a terribly pretentious thing.