I just bought my airline tix to HE2006, so I know <I>I'm</I> going to be there. I hope you will, too—because it;ll be a lot more fun if somebody else is there, too.
Wouldn't you just know it. As soon as I decide on a formal regime of measurements to accompany Stereophile's loudspeaker reviews—see Vol.12 No.10, October 1989, p.166—along comes some hot new technology that changes everything. Robert Harley reported in last month's "Industry Update" column how impressed he and I were with the new MLSSA measurement system from DRA Laboratories.
My speakers haven't moved very far from where they first landed on the night that <a href="http://blog.stereophile.com/stephenmejias/111005may/">John DeVore visited Jersey City</a>. The Arros, after the Gibbons, found a similar home — a comfortable spot, if nothing else, which works fine enough for me. It's a spot that allows me to walk into my bedroom easily, without having to brush up against a side wall or trip over any turncoat cable. A spot that appreciates symmetry and cleanliness and my apartment's obsession with order.
The word is out among audio engineers, but is a little slow getting to the average audiophile; the quality of the capacitors in the output stage of your preamp or the input stage of your amplifier is one of the major determining factors of the sound quality. I have done four upgrades to my amplifier input stage over 20 years; from high quality electrolytics to MIT Multicaps (much better) to TRT Infinicaps (better yet) to TRT Dynamicaps (absolutely superb).
The word is out among audio engineers, but is a little slow getting to the average audiophile; the quality of the capacitors in the output stage of your preamp or the input stage of your amplifier is one of the major determining factors of the sound quality.
I have done four upgrades to my amplifier input stage over 20 years; from high quality electrolytics to MIT Multicaps (much better) to TRT Infinicaps (better yet) to TRT Dynamicaps (absolutely superb).