Music Direct was showing off two new turntables in the Avid line: the $4500 Volvere and the $7500 Sequel. The Volvere was developed by using the flagship model Acutus as its prototype and removing or downsizing only those elements that had the least effect on sound quality. Like the Acutus, the Volvere has adjustable suspension, adjustable horizontal damping, and a motor mount that keeps the subchassis and platter from dancing closer and further apart from one another(a common problem with many sprung subchassis models).

We still haven't learned the price of Peak Consult's InCognito X two-way floorstanders, but we're starting to believe Per Kristoffersen when he says he set out "to build the best two-way loudspeaker in the world,"

Continuum has continued to refine its flagship Caliburn turntable system ($99,950). Chief among the changes are the Cobra tonearm's new shape, said to result in greater rigidity, and the Castellon stand's magnetic suspension. The Continuum system sure made a 50-year-old <I>Moods of Gene Ammons</I> LP sound fresh and present.

Today I awoke determined to have no agenda. Start on the third floor of the LAX Sheraton Gateway, begin walking about, and see where you're led.

Jim Thiel's CS3.7 was announced at CES 2006 and even <I>shown</I>&mdash;sort of. It wasn't a working model and it was packed with new technological, um, wrinkles, such as its 4.5" aluminum midrange ring with an "undulating, radially ribbed contour." Not to mention the 3.7's new, ribbed 10" woofer and passive radiator, which resemble hubcaps of the "spinner" variety.

Gamut was driving the L-7s with its $6000 CD3 and $9800 DI 150 180Wpc integrated amplifier. The CD 3uses Burr Brown's PCM 1792 converter and upsamples the signal to 24-bits/192kHz. I didn't get many details about the DI 150, but it does have balanced and single-ended inputs and balanced preamp output. The line in Gamut's product literature that I loved was: "Life is a process of constant discovery and refinement. For this reason, we reserve the right to change without advance notice." Me too.

Gamut makes everything from source components to loudspeakers, so the Gamut room really <I>was</I> the Gamut room. Lars Goller designed the $14,800/pair l-7 three-way floorstanders and I was knocked out by how relaxed and natural acoustic music sounded though them. They looked fabulous, too.

They're so small, you'd almost have to bet they're class-D, but the $16,500/pair 300W MX-Rs are linear all the way. The tiny brutes were fed by Ayre's C-5xe universal player ($5950) and K-1x preamplifier ($8600 with phono section), and Ayre cables. The system, which included Vandersteen Quatro Wood speakers, sounded far more detailed and lithe than the MX-Rs did at CES. MAybe it's the smaller room, or maybe it's those Quatros. Heck, it could even be that Ayre's Charlie Hansen can't leave a good thing alone either.

Richard Vandersteen can't leave a good thing alone. He got to tinkering with his Quatro ($6995/pair, reviewed by Mikey Fremer in the forthcoming July issue of <I>Stereophile</I>) by replacing the fabric shells with wood, reinforcing the speaker's base with X material, and replacing the tweeter with the model from his 5 Signature. The result is a small, floorstanding loudspeaker with huge sound. The Quatro Woods run $10,000/pair.