"Oh, you're still here," Elizabeth said, on her way out.

It ain't over until the fat NGO sings?

Back at the end of September 2005, I dropped by Jonathan and Kathleen Scull's Chelsea loft after work. I can't remember why; I think I was returning some gear. But we had also just finished shipping the <I>2006 Stereophile Buyer's Guide</I> to the printer that day, and it was possible that I needed some high-quality musical R'n'R. Sitting in Jonathan's listening seat&mdash;the legendary <A HREF="http://forum.stereophile.com/photopost/showphoto.php/photo/450/password… Chair</A>"&mdash;and enjoying the sound of his system, I flashed on the days when he worked for <I>Stereophile</I> full-time and I occasionally used to pop round to his place, just two blocks away from what was then our office, on Manhattan's Fifth Avenue. Whatever components Jonathan was writing about, a consistent factor in the always superb sound of his system was the presence of the pair of <A HREF="http://www.stereophile.com/floorloudspeakers/273">JMlab Utopia</A> loudspeakers that he had reviewed in the April 1998 issue of <I>Stereophile</I>. The Utopias delivered a seamless, full-range presentation that served Jonathan's eclectic taste in music while also allowing him to easily hear the effects, good or bad, of the various tweaks he was always trying.

Back at the end of September 2005, I dropped by Jonathan and Kathleen Scull's Chelsea loft after work. I can't remember why; I think I was returning some gear. But we had also just finished shipping the <I>2006 Stereophile Buyer's Guide</I> to the printer that day, and it was possible that I needed some high-quality musical R'n'R. Sitting in Jonathan's listening seat&mdash;the legendary <A HREF="http://forum.stereophile.com/photopost/showphoto.php/photo/450/password… Chair</A>"&mdash;and enjoying the sound of his system, I flashed on the days when he worked for <I>Stereophile</I> full-time and I occasionally used to pop round to his place, just two blocks away from what was then our office, on Manhattan's Fifth Avenue. Whatever components Jonathan was writing about, a consistent factor in the always superb sound of his system was the presence of the pair of <A HREF="http://www.stereophile.com/floorloudspeakers/273">JMlab Utopia</A> loudspeakers that he had reviewed in the April 1998 issue of <I>Stereophile</I>. The Utopias delivered a seamless, full-range presentation that served Jonathan's eclectic taste in music while also allowing him to easily hear the effects, good or bad, of the various tweaks he was always trying.

Back at the end of September 2005, I dropped by Jonathan and Kathleen Scull's Chelsea loft after work. I can't remember why; I think I was returning some gear. But we had also just finished shipping the <I>2006 Stereophile Buyer's Guide</I> to the printer that day, and it was possible that I needed some high-quality musical R'n'R. Sitting in Jonathan's listening seat&mdash;the legendary <A HREF="http://forum.stereophile.com/photopost/showphoto.php/photo/450/password… Chair</A>"&mdash;and enjoying the sound of his system, I flashed on the days when he worked for <I>Stereophile</I> full-time and I occasionally used to pop round to his place, just two blocks away from what was then our office, on Manhattan's Fifth Avenue. Whatever components Jonathan was writing about, a consistent factor in the always superb sound of his system was the presence of the pair of <A HREF="http://www.stereophile.com/floorloudspeakers/273">JMlab Utopia</A> loudspeakers that he had reviewed in the April 1998 issue of <I>Stereophile</I>. The Utopias delivered a seamless, full-range presentation that served Jonathan's eclectic taste in music while also allowing him to easily hear the effects, good or bad, of the various tweaks he was always trying.

Back at the end of September 2005, I dropped by Jonathan and Kathleen Scull's Chelsea loft after work. I can't remember why; I think I was returning some gear. But we had also just finished shipping the <I>2006 Stereophile Buyer's Guide</I> to the printer that day, and it was possible that I needed some high-quality musical R'n'R. Sitting in Jonathan's listening seat&mdash;the legendary <A HREF="http://forum.stereophile.com/photopost/showphoto.php/photo/450/password… Chair</A>"&mdash;and enjoying the sound of his system, I flashed on the days when he worked for <I>Stereophile</I> full-time and I occasionally used to pop round to his place, just two blocks away from what was then our office, on Manhattan's Fifth Avenue. Whatever components Jonathan was writing about, a consistent factor in the always superb sound of his system was the presence of the pair of <A HREF="http://www.stereophile.com/floorloudspeakers/273">JMlab Utopia</A> loudspeakers that he had reviewed in the April 1998 issue of <I>Stereophile</I>. The Utopias delivered a seamless, full-range presentation that served Jonathan's eclectic taste in music while also allowing him to easily hear the effects, good or bad, of the various tweaks he was always trying.

Back at the end of September 2005, I dropped by Jonathan and Kathleen Scull's Chelsea loft after work. I can't remember why; I think I was returning some gear. But we had also just finished shipping the <I>2006 Stereophile Buyer's Guide</I> to the printer that day, and it was possible that I needed some high-quality musical R'n'R. Sitting in Jonathan's listening seat&mdash;the legendary <A HREF="http://forum.stereophile.com/photopost/showphoto.php/photo/450/password… Chair</A>"&mdash;and enjoying the sound of his system, I flashed on the days when he worked for <I>Stereophile</I> full-time and I occasionally used to pop round to his place, just two blocks away from what was then our office, on Manhattan's Fifth Avenue. Whatever components Jonathan was writing about, a consistent factor in the always superb sound of his system was the presence of the pair of <A HREF="http://www.stereophile.com/floorloudspeakers/273">JMlab Utopia</A> loudspeakers that he had reviewed in the April 1998 issue of <I>Stereophile</I>. The Utopias delivered a seamless, full-range presentation that served Jonathan's eclectic taste in music while also allowing him to easily hear the effects, good or bad, of the various tweaks he was always trying.