I am a Revel junkie. Their <A HREF="http://www.stereophile.com/floorloudspeakers/302">Ultima Studio</A>s have been my reference loudspeakers for years, and I've spent many happy hours with their <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F-30</A>s and <A HREF="http://www.stereophile.com/standloudspeakers/89">Ultima Gem</A>s. They're all great speakers. When the original Gem was launched, it was made clear that all the corporate and economic weight of Revel's parent company, Harman International, was behind the development of this new line. When I visited Revel some years back, I saw cutting-edge design and development, in-house manufacturing of the most critical parts under the tightest scrutiny, and quality control of nearly compulsive meticulousness. All of this was reflected in the speakers' prices, which were reasonable for their quality and performance.

I am a Revel junkie. Their <A HREF="http://www.stereophile.com/floorloudspeakers/302">Ultima Studio</A>s have been my reference loudspeakers for years, and I've spent many happy hours with their <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F-30</A>s and <A HREF="http://www.stereophile.com/standloudspeakers/89">Ultima Gem</A>s. They're all great speakers. When the original Gem was launched, it was made clear that all the corporate and economic weight of Revel's parent company, Harman International, was behind the development of this new line. When I visited Revel some years back, I saw cutting-edge design and development, in-house manufacturing of the most critical parts under the tightest scrutiny, and quality control of nearly compulsive meticulousness. All of this was reflected in the speakers' prices, which were reasonable for their quality and performance.

I am a Revel junkie. Their <A HREF="http://www.stereophile.com/floorloudspeakers/302">Ultima Studio</A>s have been my reference loudspeakers for years, and I've spent many happy hours with their <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F-30</A>s and <A HREF="http://www.stereophile.com/standloudspeakers/89">Ultima Gem</A>s. They're all great speakers. When the original Gem was launched, it was made clear that all the corporate and economic weight of Revel's parent company, Harman International, was behind the development of this new line. When I visited Revel some years back, I saw cutting-edge design and development, in-house manufacturing of the most critical parts under the tightest scrutiny, and quality control of nearly compulsive meticulousness. All of this was reflected in the speakers' prices, which were reasonable for their quality and performance.

I am a Revel junkie. Their <A HREF="http://www.stereophile.com/floorloudspeakers/302">Ultima Studio</A>s have been my reference loudspeakers for years, and I've spent many happy hours with their <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F-30</A>s and <A HREF="http://www.stereophile.com/standloudspeakers/89">Ultima Gem</A>s. They're all great speakers. When the original Gem was launched, it was made clear that all the corporate and economic weight of Revel's parent company, Harman International, was behind the development of this new line. When I visited Revel some years back, I saw cutting-edge design and development, in-house manufacturing of the most critical parts under the tightest scrutiny, and quality control of nearly compulsive meticulousness. All of this was reflected in the speakers' prices, which were reasonable for their quality and performance.

When I review an affordable loudspeaker, first impressions are important. Once I've unpacked the speaker, noted the quality of its construction and finish, and have complimented or grumbled about the ergonomics of its five-way binding posts, I fire 'er up and give 'er a first listen. Occasionally, the sound will put a smile on my face, either because I'm impressed with the amount of uncolored detail emanating from such an affordable product, or because the speaker sounds so sweet that I'm intoxicated.

When I review an affordable loudspeaker, first impressions are important. Once I've unpacked the speaker, noted the quality of its construction and finish, and have complimented or grumbled about the ergonomics of its five-way binding posts, I fire 'er up and give 'er a first listen. Occasionally, the sound will put a smile on my face, either because I'm impressed with the amount of uncolored detail emanating from such an affordable product, or because the speaker sounds so sweet that I'm intoxicated.

When I review an affordable loudspeaker, first impressions are important. Once I've unpacked the speaker, noted the quality of its construction and finish, and have complimented or grumbled about the ergonomics of its five-way binding posts, I fire 'er up and give 'er a first listen. Occasionally, the sound will put a smile on my face, either because I'm impressed with the amount of uncolored detail emanating from such an affordable product, or because the speaker sounds so sweet that I'm intoxicated.

When I review an affordable loudspeaker, first impressions are important. Once I've unpacked the speaker, noted the quality of its construction and finish, and have complimented or grumbled about the ergonomics of its five-way binding posts, I fire 'er up and give 'er a first listen. Occasionally, the sound will put a smile on my face, either because I'm impressed with the amount of uncolored detail emanating from such an affordable product, or because the speaker sounds so sweet that I'm intoxicated.

If you review hi-fi long enough, you get to the point where you've heard it all before. Actually, there are several versions of that point: One is where you've heard all the claims before, and the other is where you could have sworn you've actually heard <I>this component</I> before.