As we all know, the focus of <I>Stereophile</I>'s music section, and rightly so, is recorded music. But in my unsubtle opinion, music writers or just music fans who <I>only</I> listen to recorded music and never see anything performed live, are missing half the ballgame. If the only way you know a certain artist is through their records, then sorry to say, and yes, I know that not everyone lives in a city where they can see live music, you’re only getting half the story. I know critics who've been let go because they basically refused to go out to see live music. They were happy to stay home&#151hey, no traffic, no lines, no fighting the elements, sounds good to me&#151and listen to CDs or LPs. Unfortunately though, while they may have stayed comfy cozy at home, their opinions on music ended up having only a certain amount of value. The X factor about seeing music live versus hearing it on record is that often you have to see the music performed live to make any sense of the record. Though rare, it can also work in reverse as well: you have to listen to the record to make sense of a live show.

I'd have to agree with <a href="http://cgi.stereophile.com/cgi-bin/showvote.cgi?477">Tom Warren</a>. My current favorite indie record label is also Drag City &#151; home of Smog, Silver Jews, Joanna Newsom, <a href="http://www.stereophile.com/records2die4/203r2d4/index3.html">The Fucking Champs</a>, Espers, Jim O'Rourke, The Red Krayola, <a href="http://www.dragcity.com/bands.html">I could go on</a>.

The story behind the D-Day photographs of Robert Capa.

A mashup mixing the game with (I guess) the epic video. Somebody has waay too much time on their hands.
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Sweet sassy molassy! What if Stan Lee had written <I>The Watchmen</I> instead of Alan Moore? It would have been sassier! Slangy-er! And America might well be experiencing an exclamation point shortage!

J.B.S. Haldane isn't a household name here in the US, but he ought to be. This essay is one of his best.