This man is electric. More than electric, this man is electricity. The strongest, purest current snaps through him and charges the entire room. We crowd around, unable to fully maintain his flow, but also unable to withdraw. John Atkinson and I settle in closest, occupying the front row. JA follows securely along, constant flickers of acknowledgement and wonder emerge, illuminated moments of understanding and interest. At the same time, however, running in the opposite direction, I feel almost as though I'm being rude — too deeply occupied at scribbling these notes, my pen powered by his words and ideas, moving faster across the page than I want it to go, I can't even look up to meet his eyes. And his eyes, these ice blue darts, they're the blue of a glowing front panel. The man is plugged in.

Bill Greene's photo of a curator examining Whistler's Mother is one of the <I>Boston Globe</I>'s best photographs of 2006. See the shot and listen to Greene tell how he got it.

The 2007 Consumer Electronics Show may be officially over, but you can still read our on-going coverage at our <A HREF="http://blog.stereophile.com/ces2007/">show blog</A>.

"Recent advances in solid-state output devices and other components have opened up design possibilities never previously available," Audio Research's Terry Dorn explained. "And <I>that</I> led to our developing the Hybrid Drive HD220 stereo power amplifier ($8995)."

This was our first chance to hear the $8995 Audio Research Reference CD7 CD player. We were impressed!

No, that's not another Vandersteen sock&mdash;it's the carbon fiber plinth of the Vandersteen 5As in Audio Research's room. "Richard [Vandersteen] isn't really offering the 5s in carbon fiber," Audio Research's Terry Dorn told us. "He just wanted to explore the material, so he did these."

At CES 2006, Jon Iverson and I were impressed by Studio Electric's $8500 Type One modules, even though the mating $3500 XLR woofer modules weren't operating. This year Studio Electric was showing off a pair of the $15,500/pair Type Two towers, which were pure art deco chromed metal work.

We were once again impressed by how un-hi-fi the sound in the deHavilland room was, this time in conjunction with a pair of Tannoy Prestiges. The $10,000/pair 50W deHavilland GM-70 single-ended triode is pure class-A, with zero negative feedback. The GM-70's directly-heated triode vacuum tube is said to be the largest output triode available today. We found the sound sweet, but surprisingly detailed and dynamic. Fit'n'finish were superb.