Italian manufacturer Simetel, who makes tube amplifiers with a distinctively "retro" appearance, showed its new Nightingale Gala two-chassis power amplifier in one of the Venetian's lower-level rooms. Tubed power supply is one chassis, the tubed amplification stage, using 300Bs, is is on the second. Projected price is $16,000, and Simetel has now set up its own US distributor. Designer and company founder Luciano Del Rio stands by the silver-finish Gala (black is also available), which was being demmed with Revolver Cygnis speakers.
The mark of a great large speaker is that it can sound small when the music demands it. Such was the case with the humongous La Sphère speaker from French manufacturer Cabasse, one of the many high-end companies who chose to “outboard” this year at an off-site hotel. With its four-way coaxial design, it resembles a scaled-up version of the <A HREF=”http://www.stereophile.com/floorloudspeakers/905cabasse/index.html”>Baltic</A> that Mikey Fremer reviewed in September 2005, but is fully active with the crossover realized in the digital domain. Demonstrated in a large room with Cabasse’s own amplification and Bel Canto preamp and source components, it offered tremendous dynamic range and loudness capability on full-scale orchestral music and film soundtracks (for which the pair of Spheres was joined by a full surround system and a subwoofer using a 22” driver). For me, however, the magic was greatest when Christopher Cabasse (shown standing with his company’s creation) played a two-channel recording of solo violin and piano, proving that La Sphère can be a <I>quiet</I> speaker when necessary.
Because of the <A HREF="http://www.stereophile.com/news/100206ces/">restrictions placed on merchandise sales</A> at CES, the usual Acoustic Sounds booth, stocking much-in-demand LPs, SACDs, and CDs, was nowhere to be found. But the Kansas company still had a display room showing the hardware lines it distributes, including Thorens, Sutherland, and Stirling. But founder Chad Kassem was most proud of the new Analogue Productions LP: the <I>Ultimate Analogue Test LP</I>. Produced by Clark Williams and Barry Wolfson, with input from George Marino and others, cut at Sterling Sound, and pressed on 180gm vinyl by RTI, the <I>Test LP</I> has a selection of tracks to enable the LP lover to optimally set up his system.