In the early 1980s, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A>, of Linn Products, Ltd., compared digital audio to "a nasty disease" that his company offered not to spread. Less than 25 years later, digital sources outnumber analog ones in Linn's product line&mdash;so much so that the venerable Scottish manufacturer has expanded its line of disc players to encompass two different formats: multi- and two-channel.

In the early 1980s, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A>, of Linn Products, Ltd., compared digital audio to "a nasty disease" that his company offered not to spread. Less than 25 years later, digital sources outnumber analog ones in Linn's product line&mdash;so much so that the venerable Scottish manufacturer has expanded its line of disc players to encompass two different formats: multi- and two-channel.

In the early 1980s, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A>, of Linn Products, Ltd., compared digital audio to "a nasty disease" that his company offered not to spread. Less than 25 years later, digital sources outnumber analog ones in Linn's product line&mdash;so much so that the venerable Scottish manufacturer has expanded its line of disc players to encompass two different formats: multi- and two-channel.

In the early 1980s, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A>, of Linn Products, Ltd., compared digital audio to "a nasty disease" that his company offered not to spread. Less than 25 years later, digital sources outnumber analog ones in Linn's product line&mdash;so much so that the venerable Scottish manufacturer has expanded its line of disc players to encompass two different formats: multi- and two-channel.

In New York and other major cities, I understand, bus accidents are a real problem. Buses turn right and failing to yield to pedestrians. Clueless pedestrians walk in front of buses. I haven't seen any statistics, but I'm guessing that in this era of cell phones and iPods, the problem has gotten worse: not only do such devices distract you, they make it harder to hear warning signs&mdash;such as the sound of a municipal bus bearing down on your ass.

In New York and other major cities, I understand, bus accidents are a real problem. Buses turn right and failing to yield to pedestrians. Clueless pedestrians walk in front of buses. I haven't seen any statistics, but I'm guessing that in this era of cell phones and iPods, the problem has gotten worse: not only do such devices distract you, they make it harder to hear warning signs&mdash;such as the sound of a municipal bus bearing down on your ass.

In New York and other major cities, I understand, bus accidents are a real problem. Buses turn right and failing to yield to pedestrians. Clueless pedestrians walk in front of buses. I haven't seen any statistics, but I'm guessing that in this era of cell phones and iPods, the problem has gotten worse: not only do such devices distract you, they make it harder to hear warning signs&mdash;such as the sound of a municipal bus bearing down on your ass.

In New York and other major cities, I understand, bus accidents are a real problem. Buses turn right and failing to yield to pedestrians. Clueless pedestrians walk in front of buses. I haven't seen any statistics, but I'm guessing that in this era of cell phones and iPods, the problem has gotten worse: not only do such devices distract you, they make it harder to hear warning signs&mdash;such as the sound of a municipal bus bearing down on your ass.

In New York and other major cities, I understand, bus accidents are a real problem. Buses turn right and failing to yield to pedestrians. Clueless pedestrians walk in front of buses. I haven't seen any statistics, but I'm guessing that in this era of cell phones and iPods, the problem has gotten worse: not only do such devices distract you, they make it harder to hear warning signs&mdash;such as the sound of a municipal bus bearing down on your ass.

My reviews of the <A HREF="http://www.stereophile.com/roomtreatments/437">TacT RCS</A> (<I>Stereophile</I>, September 2001) and the <A HREF="http://www.stereophile.com/roomtreatments/883">Rives PARC</A> (July 2003) are ample evidence that I've been fascinated with room equalization for quite a while. This is because I don't have a dedicated, purpose-built listening room in either of my homes, and having experienced what such rooms can do for recorded sound, I've always been somewhat dissatisfied with what I do have. Sure, I've got lots of great equipment, and a wife who understands enough to let me install <I>some</I> acoustic treatments (as long as she approves their appearance). Still, I'm sympathetic to those audiophiles who, when I suggest acoustic treatments to resolve their particular problems, say that it's simply not possible for them, either because of the Spousal Acceptance Factor or the need to accommodate other activities in the same room. Room equalizers seem to offer the hope for a panacea for what ails such spaces.