Meet the New LP12—Not the Same as the Old LP12

Meet the New LP12—Not the Same as the Old LP12

Turntables were very much in evidence at FSI, some being on demo by their distributors, and some being used by exhibitors who just wanted people to hear what their speakers/amps/preamps sound like with a good vinyl source. Perhaps the most interesting turntable demo that was of the venerable Linn Sondek LP12, which is the turntable that I own. Linn has recently announced a series of upgrades they say make a major improvement in the sound of the LP12. Not content merely to make promises, Linn had a comparison of two versions of the LP12 and its matching arm, one that was current as of a couple of years ago, and another that had the new SE upgrades installed, both with the same cartridge, both optimally set up by Linn setup expert Gary Dilliott (who had set up my own LP12 a few years ago). I didn't have time to listen closely to the comparison, but I overheard at least one Linn owner in the room exclaim that he wouldn't have believed that such an improvement was possible. Looks like my LP12 is due for a trip to the shop. Pictured with the two Linns is Gary Dilliott. Can you tell which turntable is the upgraded version?

The Price Is Right: Audiophile Edition

The Price Is Right: Audiophile Edition

All right, it's time to play The Price Is Right: Audiophile Edition. Take a look at the speakers in the picture. What do you think they would sell for? To help you with the bidding, I'll tell you that each speaker has a 12" Peerless bass driver, 6.5" midrange with a Kevlar cone, and a titanium-aluminum cone tweeter, all mounted in separate resin-moulded cabinets. Each speaker weights about 150 lbs and the cabinet is beautifully finished.

Gemme's Vivace

Gemme's Vivace

Maybe it's my selective perception, but there seems to be a resurgence of single-driver speakers. The Gemme Audio Vivace ($4100) uses a 4" Fostex driver in a complex horn-loaded enclosure. Sensitivity is 92dB, which is not high by horn standards, but the claimed bass frequency extension is 20Hz, which is extremely low by any standard. They played some organ music at the demo, and I can't say that I heard anything close to 20Hz. The bass <I>was</I> impressive by single-small-driver standards, however, and the speakers had the coherence that this sort of design is known for. Gemme Audio is a small company based in Montreal, with only two products: the Vivace and the Tanto ($5100), a more conventional two-way system. Getting into the crowded audio marketplace is a difficult feat for any speaker company that doesn't have a full product range; the fact that Gemme has been picked up by distributors in the USA, the United Kingdom, France, Sweden, and Ukraine tells me that they must be doing something right. Pictured: V-P Sales and Marketing Jean-Pierre Boudreau and the Vivace, with the Tanto lurking in the background.

An Essential Break

An Essential Break

Attending a show like FSI can be a tiring business, what with walking up and down corridors, and even when you sit down to listen you may experience tension, trying to discern the character of the sound. A few hours of that, and you can probably use a massage. If that's how you felt at FSI, the remedy was at hand: Jennifer Sunde and Mireille Beaudry are massage therapists who were at the show, offering a choice of Swedish and Shiatsu massage. Here they are in a brief break between clients.

Neil Young's Archives Performance Series

Hey hey!

I've been spinning the new Neil Young Archives series CD's (wishing they'd been issued on vinyl) and I like them.

In case you've been wondering what these 35 and 36 year old live recordings are like, I'll just start by saying "remarkably clean."

I'm actually kind of shocked at how pristine they sound.

Great song selection, too.

Free Seminars and Clinics at HE2007

Free Seminars and Clinics at HE2007

Show attendees at Home Entertainment 2007, the High Performance Sound & Imaging Show of the year, will be treated to several educational seminars and clinics that will help guide and inform them about the choices confronting contemporary music and film lovers looking for better home entertainment experiences.

How Old Were You When You Became An Audiophile?

Forums

B.B. King is 82 and travels everywhere, got many beat. Buddy Guy is 71 or so, looks 40 and energy like a young dude. didn't Andy Williams always have The Osmond Bros on....Sappy squared, Andy Williams with the Osmonds. At least it was/is much batter than the Nappy Headed ho Rap hip hop garbage that has to disapear soon one would hope and real music could make a come back? End teh Bling bling and bring back the 50's and 60's music. Buffalo Springfield, Rolling Stones, Beatles, Lee Michaels, Hendrix, so much REAL music, all original and different.

How Old Were You When You Became An Audiophile?

This is a response to Stephen's "Banning Youth" thread. We've corresponded in the past about our first "Hi-Fi" syetems. I believe that most of us will admit to having their initial audiophile revelation (remember your first time?) at a young age. Albeit, for many of us, this happened during the pre-MTV early FM radio era, or even the transistor radio era. OK, even the Victorola era, eh, Clifton?

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