Salagar Sonics

Salagar Sonics

Remember the name: Salagar Sonics. It's the name of a new American speaker company, whose first product, the Salagar S210 ($7500/pair), still in prototype form, made a strong impression at HE 2007. It's an active two-way—digital crossover; the amp uses the latest B&O ICE module—with a Scanspeak AirCirc tweeter and a 10" Peerless VIFA mid-bass driver, in an unusually-shaped (and highly inert) enclosure. I thought these speakers sounded terrific: lively, low in coloration, and with excellent imaging.

In All Things, Moderation (Except Audio)

In All Things, Moderation (Except Audio)

I never know what to expect at the "Ask the Editors" sessions, traditionally moderated by <I>Stereophile</I> editor John Atkinson (above). Sometimes we get a lot of people looking for advice on potential purchases of equipment, questions about arcane aspects of amplifier design, questions about cables, about double-blind testing, where the future of audio lies, and, of course, questions about what we thought of the sound in specific rooms at the Show. This time, many of the questions dealt with, of all things, music! There were opinions expressed about the major symphony orchestras of today <I>vs</I> those of the past, and great performances available on LPs. Don't these people know that we're all supposed to be a bunch of equipment-loving geeks?

Roast Them Reviewers!

Roast Them Reviewers!

<I>Stereophile</I>'s traditional "Ask the Editors" session took place Saturday afternoon. A room packed with audiophiles hurled questions at the panel, who included (from left to right in Jonathan Scull’s photo): Ken Kessler, Michael Fremer, Bob Deutsch, Larry Greenhill, Wes Phillips (at rear), and Sam Tellig. (Not shown in photo but still very vocal were Bob Reina, Kal Rubinson, John Marks, and Art Dudley.) I dodged the bullet by moderating but I was <I>well</I> pleased by the insightful nature of the questions asked.

Mentoring at the Amplifier & Speaker Workshops

Mentoring at the Amplifier & Speaker Workshops

They were a hit at last year's Rocky Mountain Audio Fest, so I asked Bob Cordell (resting his dogs in the photo), Peter "PJay" Smith, and Darren Kuzma to give a repeat performance of their seminars on amplifier and loudspeaker performance at HE2007. These ran throughout the Show, and I kept being stopped in the corridor by audiophiles who would say something like "Now I know what tube amplifier clipping sounds like" or "Now I know what is meant by 'dynamic range.'" I was reminded by something I had been told years ago, perhaps by Jon Iverson: that the only difference between an audiophile and an ordinary person is that the audiophile had a mentor who showed them how to listen. Bob's, PJay's, and Darren's efforts will create many, many audiophiles.

AMP FOR 1985 KLIPSCH KG 4 SPEAKERS

Forums

I have a pair of mint condition Klipsch KG4 speakers from 1985 that i am using with a Denon PMA 757 amp and i want to up grade to something that will sound significantly better.I may go to a tube amp if i cant find a SS that sounds better than my old Denon.Any ideas on a tube or SS amp that will make upgrading worth the cost?My 1985 Klipsch KG4 may not be the first choice of speaker for many but to my ears it still is a good performer that can hopefully be made even better with the right amp.Any input will be appreciated.

Better Now

Better Now

When I finally made it through the crowd and into the Music Hall room, I took one look at pasty party animal, Leland Leard, and cried, "<i>Good god, man!</i> How are you feeling?"

Better Than Pudding

Better Than Pudding

Late Sunday afternoon, with only about an hour left before the show closed, it was still standing room only in the Music Hall room. Perhaps that had something to do with the choice of music. I walked in to be greeted by the naughty sounds of the Bear Family Records compilation, <i>Eat to the Beat: the dirtiest of them dirty blues</i>, featuring song titles I can't even mention here.

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