Return of the Son of Web Radio

Return of the Son of Web Radio

Digital Music Association (DiMA) and Sound Exchange (SX) announced on August 23 that they had reached an agreement to "cap the Internet radio '$500 per channel minimum royalty' at $50,000 per service, signaling the start of productive negotiations and bringing resolutions to three important music industry issues," according to DiMA's press release.

Tweeter Twists in the Wind

Tweeter Twists in the Wind

It has been a fraught week for Tweeter Newco LLC, the A/V specialty chain acquired by Shultze Asset Management in July. On August 17, the company trimmed its corporate staff by "half," approximately 80 staffers at the home office in Canton, MA. It was the second corporate re-structuring since January, when 20% of the corporate staff was laid off.

Technical Explainations?

I have recently become interested in thinking about building some of my own speakers. Being new though, a lot of the technicalities are very hard to understand.

I was wondering if anyone knows a good place to go to read about what different driver specs mean (Qts, Vas. SPL, ect.) and how they relate to one another, and what some of the different graphs that speaker applications show you account for (Transfer function magnitide/phase, Impedance, Group Delay, etc.).

"...except for rap or electronica..."

Forums

I'm in the process of finding the right set of speakers for me in the <$3000 area. In doing this, I've found a literally enormous set of reviews containing verbiage such as "these speakers are fantastic, except for lovers of electronica or rap music," and "hip hop lovers should look elsewhere."

I understand that electronica isn't the preferred material of many audiophiles. And I understand that from a content perspective, hip hop is very polarizing, and that there are a great number of very poorly recorded/produced hip hop albums.

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