<B>Jammie Thomas Appeal:</B> Just weeks after having been found liable for <A HREF="http://stereophile.com/news/100807jammie/">$220,000 in damages</A> for allegedly offering 24 music tracks on her KaZaa account, Jammie Thomas has filed a notice of remittitur with the US District Court for the District of Minnesota, asking the judge to slash the jury's damage award, contending that she should receive a retrial that assesses the damages based on the <I>actual</I> damages suffered by the labels resulting from her making the files available.
A Show like last week's <A HREF="http://blog.stereophile.com/rmaf2007">Rocky Mountain Audio Fest</A> presents me with conflicts. As a member of the press I should be spending my time covering the Show. However, I am also spending my time as a participant, in this case giving a <A HREF="http://www.stereophile.com/news/100807rmaf/">series of presentations</A> in which I allowed Showgoers the opportunity to listen to the hi-rez masters of many of my <I>Stereophile</I> recordings and compare them with CD and MP3 versions.
<A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A> was a blast for me, as it is every year. Not only did I get to perform with <I>two</I> jazz bands, <A HREF="http://www.stereophile.com/musicrecordings/907att">Attention Screen</A> and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends—vinyl <I>and</I> open-reel tape—was the highest I've seen at a show in over a decade. Second, there was a surprising number of <I>very</I> expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.
Infinity Primus P162 loudspeaker Associated Equipment
<A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A> was a blast for me, as it is every year. Not only did I get to perform with <I>two</I> jazz bands, <A HREF="http://www.stereophile.com/musicrecordings/907att">Attention Screen</A> and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends—vinyl <I>and</I> open-reel tape—was the highest I've seen at a show in over a decade. Second, there was a surprising number of <I>very</I> expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.
<A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A> was a blast for me, as it is every year. Not only did I get to perform with <I>two</I> jazz bands, <A HREF="http://www.stereophile.com/musicrecordings/907att">Attention Screen</A> and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends—vinyl <I>and</I> open-reel tape—was the highest I've seen at a show in over a decade. Second, there was a surprising number of <I>very</I> expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.
<A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A> was a blast for me, as it is every year. Not only did I get to perform with <I>two</I> jazz bands, <A HREF="http://www.stereophile.com/musicrecordings/907att">Attention Screen</A> and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends—vinyl <I>and</I> open-reel tape—was the highest I've seen at a show in over a decade. Second, there was a surprising number of <I>very</I> expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.
<A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A> was a blast for me, as it is every year. Not only did I get to perform with <I>two</I> jazz bands, <A HREF="http://www.stereophile.com/musicrecordings/907att">Attention Screen</A> and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends—vinyl <I>and</I> open-reel tape—was the highest I've seen at a show in over a decade. Second, there was a surprising number of <I>very</I> expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.
Linn Ekos SE tonearm, Keel LP12 subchassis, & Trampolin turntable base Letters in Response
Visit www.stereophile.com and look at the <A HREF="http://cgi.stereophile.com/cgi-bin/showvote.cgi?522">Vote Results for June 17, 2007</A>: You'll see that when we asked our readers to name the one audio product that's spent the greatest amount of time in their systems, the most common answer by far was the <A HREF="http://www.stereophile.com/turntables/1103linn">Linn Sondek LP12</A> turntable (footnote 1). Little wonder that Scotland's most famous record player endures as an object of attention for various and sundry commercial <I>tweaks</I>.
Linn Ekos SE tonearm, Keel LP12 subchassis, & Trampolin turntable base Associated Equipment
Visit www.stereophile.com and look at the <A HREF="http://cgi.stereophile.com/cgi-bin/showvote.cgi?522">Vote Results for June 17, 2007</A>: You'll see that when we asked our readers to name the one audio product that's spent the greatest amount of time in their systems, the most common answer by far was the <A HREF="http://www.stereophile.com/turntables/1103linn">Linn Sondek LP12</A> turntable (footnote 1). Little wonder that Scotland's most famous record player endures as an object of attention for various and sundry commercial <I>tweaks</I>.
Linn Ekos SE tonearm, Keel LP12 subchassis, & Trampolin turntable base Specifications
Visit www.stereophile.com and look at the <A HREF="http://cgi.stereophile.com/cgi-bin/showvote.cgi?522">Vote Results for June 17, 2007</A>: You'll see that when we asked our readers to name the one audio product that's spent the greatest amount of time in their systems, the most common answer by far was the <A HREF="http://www.stereophile.com/turntables/1103linn">Linn Sondek LP12</A> turntable (footnote 1). Little wonder that Scotland's most famous record player endures as an object of attention for various and sundry commercial <I>tweaks</I>.