"Why can't I just buy . . . a <I>bicycle</I>?"

"Why can't I just buy . . . a <I>bicycle</I>?"

"Why can't I just buy . . . a <I>bicycle</I>?"

Back in October 2001, when Larry Greenhill <A HREF="http://www.stereophile.com/solidpreamps/700">told us</A> about the Sony TA-P9000ES multichannel preamplifier, it seemed the best thing since sliced bread. This affordable ($700) analog controller had two six-channel inputs, a six-channel bypass input, level controls for all channels, and a stereo bypass input. For those of us just dipping our toes into multichannel, it was welcome. Though no longer manufactured, the Sony is still a unique component, and one highly prized in the second-hand market. The TA-P9000ES was not, however, the answer to <I>all</I> our prayers&mdash;made to complement a digital processor, it basically has only two 5.1-channel inputs, if the TA-P9000ES is used independently.

Back in October 2001, when Larry Greenhill <A HREF="http://www.stereophile.com/solidpreamps/700">told us</A> about the Sony TA-P9000ES multichannel preamplifier, it seemed the best thing since sliced bread. This affordable ($700) analog controller had two six-channel inputs, a six-channel bypass input, level controls for all channels, and a stereo bypass input. For those of us just dipping our toes into multichannel, it was welcome. Though no longer manufactured, the Sony is still a unique component, and one highly prized in the second-hand market. The TA-P9000ES was not, however, the answer to <I>all</I> our prayers&mdash;made to complement a digital processor, it basically has only two 5.1-channel inputs, if the TA-P9000ES is used independently.

Back in October 2001, when Larry Greenhill <A HREF="http://www.stereophile.com/solidpreamps/700">told us</A> about the Sony TA-P9000ES multichannel preamplifier, it seemed the best thing since sliced bread. This affordable ($700) analog controller had two six-channel inputs, a six-channel bypass input, level controls for all channels, and a stereo bypass input. For those of us just dipping our toes into multichannel, it was welcome. Though no longer manufactured, the Sony is still a unique component, and one highly prized in the second-hand market. The TA-P9000ES was not, however, the answer to <I>all</I> our prayers&mdash;made to complement a digital processor, it basically has only two 5.1-channel inputs, if the TA-P9000ES is used independently.

Back in October 2001, when Larry Greenhill <A HREF="http://www.stereophile.com/solidpreamps/700">told us</A> about the Sony TA-P9000ES multichannel preamplifier, it seemed the best thing since sliced bread. This affordable ($700) analog controller had two six-channel inputs, a six-channel bypass input, level controls for all channels, and a stereo bypass input. For those of us just dipping our toes into multichannel, it was welcome. Though no longer manufactured, the Sony is still a unique component, and one highly prized in the second-hand market. The TA-P9000ES was not, however, the answer to <I>all</I> our prayers&mdash;made to complement a digital processor, it basically has only two 5.1-channel inputs, if the TA-P9000ES is used independently.

How many hi-fi professionals can say that they've designed at least one of every part of a complete recording system, from microphones to tape recorders to vinyl-disc-cutting electronics? Probably only Tim de Paravicini (footnote 1). Best known to audiophiles for his extraordinarily durable EAR valve amplifiers, Tim is also an electronics guru to the professional recording world. His global reputation today is based on more than four decades of making things better, building equipment that stands the test of time.

How many hi-fi professionals can say that they've designed at least one of every part of a complete recording system, from microphones to tape recorders to vinyl-disc-cutting electronics? Probably only Tim de Paravicini (footnote 1). Best known to audiophiles for his extraordinarily durable EAR valve amplifiers, Tim is also an electronics guru to the professional recording world. His global reputation today is based on more than four decades of making things better, building equipment that stands the test of time.

How many hi-fi professionals can say that they've designed at least one of every part of a complete recording system, from microphones to tape recorders to vinyl-disc-cutting electronics? Probably only Tim de Paravicini (footnote 1). Best known to audiophiles for his extraordinarily durable EAR valve amplifiers, Tim is also an electronics guru to the professional recording world. His global reputation today is based on more than four decades of making things better, building equipment that stands the test of time.