Shanling seems to have erected a shrine to the holy iPod with its new STP-10 stereo vacuum tube amplifier ($900).

The Shanling STP-10, with the lights on. This hefty little toy is built like a tank, and made to make your iPod smile.

It was midday at the Venetian and show traffic was intense when I squeezed into the Hansen Audio suite. Despite noise from the outer hall and chatter in the back of the room, the several listeners seemed swept away by Natalie Merchant's voice. Her warm wishes were followed by Aaron Neville's "Goodnight," a blanket of voices with impressive clarity seeming to wrap around the entire room.

Jon Iverson, our magazine group's self-proclaimed “Web Monkey”—that’s how his business card describes his role—mentioned that a reader, now living in Dubai, wrote him Tuesday night about Gallo Loudspeakers. "I'm hoping your CES 2008 show blog will bring me up to speed on the latest loudspeaker from Anthony Gallo," he wrote.

After seeing audio components that cost thousands and even <I>tens</I> of thousands of dollars, I always find it refreshing to encounter ones that cost a fraction of those prices. Case in point: the Nu Force S-1 integrated amp (10Wpc), which costs just $199, shown here by Jason Lim, CEO of Nu Force. The company also offers a matching speaker, the Icon-1, a small unit using a single driver, the combination, including cables, selling for $399. The system sounded pretty good, too!

Daniel J. Hodgson, Polk Audio's Senior Vice President, was very enthusiastic about the $3000/pair LSi25, a floor-standing, 3-way loudspeaker."It has a 1" VIFA ring-radiator, dual-pivot tweeter to increase dispersion," said Daniel. There are two midranges that surround the tweeter in D'Appolito configuration, and a powered 10" sidefiring subwoofer. The drivers have cast speaker baskets with aerated-polypropylene cones. He went on to point out the two small ports on the front baffle next to the midrange. "These two small ports are designed to eliminate resonance, which our company calls Acoustic Resonance Control," added Michael Cooper, Florida Regional Sales Manager for Polk.

"Lightning strikes twice," says the blurb on Ayre Acoustics' new KX-R preamp, referring to the 1996 introduction of the Colorado company's original K-1 preamp, considered to be among the best preamps. The KX-R ($18,500 in aluminum finish) retains the zero-feedback, fully-balanced configuration of the K-1, but has a Variable Gain Transimpedance (VGT) circuit, with something called "equilock circuitry" for the gain devices. This was explained to me as a circuit design that does not attenuate the inputs at the front end, and thus improves the S/N ratio. The KX-R is a slim but heavy unit (41 lbs), and as you can see, it looks stunning.

Here's a look at the inside of Ayre's KX-R preamp. "Wow!" exclaimed John Atkinson.

If one were to judge by the new product introductions from Ayre and Jeff Rowland Design, $18k seems to be the price point for high-end solid-state preamplifiers. Rowland's new Criterion preamp uses NiMH batteries in the power supply; these are more easily available than the lead-zinc ones that were used in Rowland's previous top preamp&mdash;and, of course, the design of the Criterion features a number of improvements from its predecessor. Rowland also introduced the new Continuum integrated amp, available in two version: 350Wpc ($7200) or 500Wpc
($8800), the latter featuring power-factor correction.