This is my fourth review of a Revel loudspeaker, and I was even more excited by the arrival of the Ultima Studio2s ($15,999/pair) than I was when their predecessors, the original Ultima Studios ($10,799/pair when first reviewed; $15,000/pair when last listed in "Recommended Components"), were delivered in 2000. (See <A HREF="http://www.stereophile.com/floorloudspeakers/302">my review</A> in the December 2000 <I>Stereophile</I>, Vol.23 No.12.) After all, the Studios were my reference speakers for years and, along with the larger Ultima Salons, were statement products that were the product of the talented designer Kevin Voecks and the considerable resources of Harman International, parent of Revel as well as of JBL and Infinity. Over the years, I've also reviewed Revel's <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F30</A> (May 2000, Vol.23 No.5) and <A HREF="http://www.stereophile.com/floorloudspeakers/706revel">Concerta F12</A> (July 2006, Vol.29 No.7), each outstanding at its price point. If, after all these years, Voecks and his team were ready to reconsider their statement products, they should be something special.

This is my fourth review of a Revel loudspeaker, and I was even more excited by the arrival of the Ultima Studio2s ($15,999/pair) than I was when their predecessors, the original Ultima Studios ($10,799/pair when first reviewed; $15,000/pair when last listed in "Recommended Components"), were delivered in 2000. (See <A HREF="http://www.stereophile.com/floorloudspeakers/302">my review</A> in the December 2000 <I>Stereophile</I>, Vol.23 No.12.) After all, the Studios were my reference speakers for years and, along with the larger Ultima Salons, were statement products that were the product of the talented designer Kevin Voecks and the considerable resources of Harman International, parent of Revel as well as of JBL and Infinity. Over the years, I've also reviewed Revel's <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F30</A> (May 2000, Vol.23 No.5) and <A HREF="http://www.stereophile.com/floorloudspeakers/706revel">Concerta F12</A> (July 2006, Vol.29 No.7), each outstanding at its price point. If, after all these years, Voecks and his team were ready to reconsider their statement products, they should be something special.

This is my fourth review of a Revel loudspeaker, and I was even more excited by the arrival of the Ultima Studio2s ($15,999/pair) than I was when their predecessors, the original Ultima Studios ($10,799/pair when first reviewed; $15,000/pair when last listed in "Recommended Components"), were delivered in 2000. (See <A HREF="http://www.stereophile.com/floorloudspeakers/302">my review</A> in the December 2000 <I>Stereophile</I>, Vol.23 No.12.) After all, the Studios were my reference speakers for years and, along with the larger Ultima Salons, were statement products that were the product of the talented designer Kevin Voecks and the considerable resources of Harman International, parent of Revel as well as of JBL and Infinity. Over the years, I've also reviewed Revel's <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F30</A> (May 2000, Vol.23 No.5) and <A HREF="http://www.stereophile.com/floorloudspeakers/706revel">Concerta F12</A> (July 2006, Vol.29 No.7), each outstanding at its price point. If, after all these years, Voecks and his team were ready to reconsider their statement products, they should be something special.

This is my fourth review of a Revel loudspeaker, and I was even more excited by the arrival of the Ultima Studio2s ($15,999/pair) than I was when their predecessors, the original Ultima Studios ($10,799/pair when first reviewed; $15,000/pair when last listed in "Recommended Components"), were delivered in 2000. (See my review in the December 2000 Stereophile, Vol.23 No.12.) After all, the Studios were my reference speakers for years and, along with the larger Ultima Salons, were statement products that were the product of the talented designer Kevin Voecks and the considerable resources of Harman International, parent of Revel as well as of JBL and Infinity. Over the years, I've also reviewed Revel's Performa F30 (May 2000, Vol.23 No.5) and Concerta F12 (July 2006, Vol.29 No.7), each outstanding at its price point. If, after all these years, Voecks and his team were ready to reconsider their statement products, they should be something special.

This is my fourth review of a Revel loudspeaker, and I was even more excited by the arrival of the Ultima Studio2s ($15,999/pair) than I was when their predecessors, the original Ultima Studios ($10,799/pair when first reviewed; $15,000/pair when last listed in "Recommended Components"), were delivered in 2000. (See <A HREF="http://www.stereophile.com/floorloudspeakers/302">my review</A> in the December 2000 <I>Stereophile</I>, Vol.23 No.12.) After all, the Studios were my reference speakers for years and, along with the larger Ultima Salons, were statement products that were the product of the talented designer Kevin Voecks and the considerable resources of Harman International, parent of Revel as well as of JBL and Infinity. Over the years, I've also reviewed Revel's <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F30</A> (May 2000, Vol.23 No.5) and <A HREF="http://www.stereophile.com/floorloudspeakers/706revel">Concerta F12</A> (July 2006, Vol.29 No.7), each outstanding at its price point. If, after all these years, Voecks and his team were ready to reconsider their statement products, they should be something special.

This is my fourth review of a Revel loudspeaker, and I was even more excited by the arrival of the Ultima Studio2s ($15,999/pair) than I was when their predecessors, the original Ultima Studios ($10,799/pair when first reviewed; $15,000/pair when last listed in "Recommended Components"), were delivered in 2000. (See <A HREF="http://www.stereophile.com/floorloudspeakers/302">my review</A> in the December 2000 <I>Stereophile</I>, Vol.23 No.12.) After all, the Studios were my reference speakers for years and, along with the larger Ultima Salons, were statement products that were the product of the talented designer Kevin Voecks and the considerable resources of Harman International, parent of Revel as well as of JBL and Infinity. Over the years, I've also reviewed Revel's <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F30</A> (May 2000, Vol.23 No.5) and <A HREF="http://www.stereophile.com/floorloudspeakers/706revel">Concerta F12</A> (July 2006, Vol.29 No.7), each outstanding at its price point. If, after all these years, Voecks and his team were ready to reconsider their statement products, they should be something special.

This is my fourth review of a Revel loudspeaker, and I was even more excited by the arrival of the Ultima Studio2s ($15,999/pair) than I was when their predecessors, the original Ultima Studios ($10,799/pair when first reviewed; $15,000/pair when last listed in "Recommended Components"), were delivered in 2000. (See <A HREF="http://www.stereophile.com/floorloudspeakers/302">my review</A> in the December 2000 <I>Stereophile</I>, Vol.23 No.12.) After all, the Studios were my reference speakers for years and, along with the larger Ultima Salons, were statement products that were the product of the talented designer Kevin Voecks and the considerable resources of Harman International, parent of Revel as well as of JBL and Infinity. Over the years, I've also reviewed Revel's <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F30</A> (May 2000, Vol.23 No.5) and <A HREF="http://www.stereophile.com/floorloudspeakers/706revel">Concerta F12</A> (July 2006, Vol.29 No.7), each outstanding at its price point. If, after all these years, Voecks and his team were ready to reconsider their statement products, they should be something special.

This is my fourth review of a Revel loudspeaker, and I was even more excited by the arrival of the Ultima Studio2s ($15,999/pair) than I was when their predecessors, the original Ultima Studios ($10,799/pair when first reviewed; $15,000/pair when last listed in "Recommended Components"), were delivered in 2000. (See <A HREF="http://www.stereophile.com/floorloudspeakers/302">my review</A> in the December 2000 <I>Stereophile</I>, Vol.23 No.12.) After all, the Studios were my reference speakers for years and, along with the larger Ultima Salons, were statement products that were the product of the talented designer Kevin Voecks and the considerable resources of Harman International, parent of Revel as well as of JBL and Infinity. Over the years, I've also reviewed Revel's <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F30</A> (May 2000, Vol.23 No.5) and <A HREF="http://www.stereophile.com/floorloudspeakers/706revel">Concerta F12</A> (July 2006, Vol.29 No.7), each outstanding at its price point. If, after all these years, Voecks and his team were ready to reconsider their statement products, they should be something special.