Looks like Olive has a winner!

It was quite exciting to read the press announcement from Olive this morning. Olive has replaced all their previous products with the Opus No.4 and Symphony No.2. The Opus is a CD-ripper, music server and music rendering device while the Symphony has identical functionality with the exception of CD-ripping. Both are DLNA/UPnP compliant devices. Both have a very nice user interface that is genre-dependent in that the fields displayed are dependent upong the genre selected.

Remembering Montreal

Remembering Montreal

Right about now, I suppose John Atkinson and Wes Phillips are pulling into a rest stop, somewhere off the New York State Thruway. The sky is Sinatra blue and the air whispers secrets of spring. The doors to the Land Cruiser shut with a gentle thud, and the guys stroll into a 7-11 for some black peppered beef jerky, Nacho Cheesier Doritos, and a couple of tall Mountain Dews.

ARGH! USB output is garbled! Make it stop!

I just bought a new computer and am in the process of setting it up.

As it does not have a soundcard with a digital out (yet), I connected my Grace M902 DAC/headphone amp to a USB port and put in a CD. It sounded quite good.

However, now the sound is very garbled. This is not a jitter issue. It sounds as if the digital input is overdriven (you know that horrible, ripping sound that an overly hot digital signal can create).

Any ideas for a solution? Any idea what changed?

Missed Opportunities

The Steely Dan thread got me thinking about all those bands that I had a chance to see but never got around to it, thinking that I'd always have another opportunity. Then, of course, the lead singer died or something.

First on my list is Nirvana. Never got to see them. Sadness.

Next is Ibrahim Ferrer of the Buena Vista Social Club. He played several nights just a few blocks away from where I was living in Newark, and I missed him. Soon after, he passed away.

So, what about you guys? Any performers you wish you had seen?

Monitor Audio Studio 15 loudspeaker Measurements

Monitor Audio Studio 15 loudspeaker Measurements

I believe <A HREF="http://www.stereophile.com/interviews/232">Ken Kantor</A> said it first: a couple of years ago, in his September 1990 interview with Robert Harley (Vol.13 No.9), he remarked that "there's no reason why a two-way 6" loudspeaker can't be the equal of almost the best speaker out there from a certain frequency point upward, with the possible exception of dynamic range." When I read those words, they rang true. If you put to one side the need to reproduce low bass frequencies and can accept less-than-live playback levels, a small speaker can be as good as the best, and allow its owner to enjoy the benefits of its size&mdash;visual appeal, ease of placement in the room, and the often excellent imaging afforded by the use of a small front baffle.

Monitor Audio Ltd.
US distributor: Kevro International Inc.
902 McKay Road, Suite 4
Pickering, Ontario L1W 3X8, Canada
(905) 428-2800
www.kevro.com

Monitor Audio Studio 15 loudspeaker Reference system

Monitor Audio Studio 15 loudspeaker Reference system

I believe <A HREF="http://www.stereophile.com/interviews/232">Ken Kantor</A> said it first: a couple of years ago, in his September 1990 interview with Robert Harley (Vol.13 No.9), he remarked that "there's no reason why a two-way 6" loudspeaker can't be the equal of almost the best speaker out there from a certain frequency point upward, with the possible exception of dynamic range." When I read those words, they rang true. If you put to one side the need to reproduce low bass frequencies and can accept less-than-live playback levels, a small speaker can be as good as the best, and allow its owner to enjoy the benefits of its size&mdash;visual appeal, ease of placement in the room, and the often excellent imaging afforded by the use of a small front baffle.

Monitor Audio Ltd.
US distributor: Kevro International Inc.
902 McKay Road, Suite 4
Pickering, Ontario L1W 3X8, Canada
(905) 428-2800
www.kevro.com

Monitor Audio Studio 15 loudspeaker Specifications

Monitor Audio Studio 15 loudspeaker Specifications

I believe <A HREF="http://www.stereophile.com/interviews/232">Ken Kantor</A> said it first: a couple of years ago, in his September 1990 interview with Robert Harley (Vol.13 No.9), he remarked that "there's no reason why a two-way 6" loudspeaker can't be the equal of almost the best speaker out there from a certain frequency point upward, with the possible exception of dynamic range." When I read those words, they rang true. If you put to one side the need to reproduce low bass frequencies and can accept less-than-live playback levels, a small speaker can be as good as the best, and allow its owner to enjoy the benefits of its size&mdash;visual appeal, ease of placement in the room, and the often excellent imaging afforded by the use of a small front baffle.

Monitor Audio Ltd.
US distributor: Kevro International Inc.
902 McKay Road, Suite 4
Pickering, Ontario L1W 3X8, Canada
(905) 428-2800
www.kevro.com

Monitor Audio Studio 15 loudspeaker Page 2

Monitor Audio Studio 15 loudspeaker Page 2

I believe <A HREF="http://www.stereophile.com/interviews/232">Ken Kantor</A> said it first: a couple of years ago, in his September 1990 interview with Robert Harley (Vol.13 No.9), he remarked that "there's no reason why a two-way 6" loudspeaker can't be the equal of almost the best speaker out there from a certain frequency point upward, with the possible exception of dynamic range." When I read those words, they rang true. If you put to one side the need to reproduce low bass frequencies and can accept less-than-live playback levels, a small speaker can be as good as the best, and allow its owner to enjoy the benefits of its size&mdash;visual appeal, ease of placement in the room, and the often excellent imaging afforded by the use of a small front baffle.

Monitor Audio Ltd.
US distributor: Kevro International Inc.
902 McKay Road, Suite 4
Pickering, Ontario L1W 3X8, Canada
(905) 428-2800
www.kevro.com

Monitor Audio Studio 15 loudspeaker

Monitor Audio Studio 15 loudspeaker

I believe <A HREF="http://www.stereophile.com/interviews/232">Ken Kantor</A> said it first: a couple of years ago, in his September 1990 interview with Robert Harley (Vol.13 No.9), he remarked that "there's no reason why a two-way 6" loudspeaker can't be the equal of almost the best speaker out there from a certain frequency point upward, with the possible exception of dynamic range." When I read those words, they rang true. If you put to one side the need to reproduce low bass frequencies and can accept less-than-live playback levels, a small speaker can be as good as the best, and allow its owner to enjoy the benefits of its size&mdash;visual appeal, ease of placement in the room, and the often excellent imaging afforded by the use of a small front baffle.

Advertisement
Advertisement
Advertisement