Alon Wolf: To Move Out of the Way Page 2
Alon Wolf: To Move Out of the Way Page 2
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Alon Wolf: To Move Out of the Way
Alon Wolf: To Move Out of the Way
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Sorry I Haven't Written Lately
Sorry I Haven't Written Lately
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Hear the HDTracks Difference
Hear the HDTracks Difference
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How much dynamic range is enough?
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Equalizers
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Getting back to vinyl with a simple budget system (Revised . Have talked myself out of vinyl now.)
I used to have a hi-fi system but a few years ago decided to de-clutter my life and get rid of it all. Got good prices and simplified everything.
I am currently using just a little Fatman iTube valve (tube) amp and a small pair of Monitor Audio Bronze BR1s connected to my Panasonic DVD/CD/HD/Digital freeview/Digital radio box. Sounds pretty good for a smallish room...

Selecting an integrated amp
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Hello,
I'm a newbie and not a high end audiophile. It's been a long time since I had a good sounding stereo.
I want to put together a new system for my office. I can close the door and listen to music without interruption or spousal objection. Plus I've become accustomed to ripping music to my computer. I find it easier to use song lists and search for artists "online".
I recently bought a pair of NHT Classic 3 speakers. I'm driving them with an old Harman Kardon HK3500 receiver. I'd like to replace the amp and do something about my audio source.
Alan Parsons Project "I Robot" DVD-A
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APP wasn't my favorite group in the 1970s, but maybe it was because I couldn't hear it this way.
I listened in two-channel 24/192 and was blown away by the sonics. Close your eyes and the sound stage is 180-degrees wide. The fade at the end of "Genisis Ch.1V.32" slowly moves from covering and surrounding you with a HUGE wall of sound to fading into a very distant ball of sound that covers only about 5-degrees and seems like it's 400-yards away. Only in that final fade do you hear the tape hiss from the original master.

16/44 recording provides a dynamic range of ~98dB. This easily exceeds the dynamic range of any performing group, even allowing the loss of some dynamic range to noise floor of the recording and playback equipment, etc.